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About Carlos Malta

8

Album Review

Carlos Malta and Cliff Korman: Saudade do Paulo

Read "Saudade do Paulo" reviewed by Katchie Cartwright


Like many mid-20th-century jazz albums, Saudade do Paulo was recorded live in the studio (Biscoito Fino studios in Rio de Janeiro), without the sort of overdubs and retakes more typical of 21st-century projects. The release is digital-only, but what it lacks in physicality it makes up for in substantial liner notes and a sound that is intimate and conversational. Independently, the Brazilian flutist and saxophonist Carlos Malta and the American-born Brazil-based pianist and scholar Cliff Korman each had ...

12

Album Review

Hermeto Pascoal: Planetario Da Gavea

Read "Planetario Da Gavea" reviewed by Chris M. Slawecki


Planetario Da Gavea is an enormous, sprawling document from a February 1981 outdoor performance series by Brazilian jazz wizard Hermeto Pascoal recorded under the stars in the Gávea neighborhood of Rio de Janeiro, within the dome of the city's outdoor planetário (planetarium). Ten pieces, most never recorded before and several never performed again, stretch across two hours of gloriously inspired, indulgent sound featuring the composer, instrumentalist, and sorcerer who Miles Davis once famously called “one of the most ...

188

Album Review

Carlos Malta: Pimenta and Pixinguinha Alma e Corpo

Read "Pimenta and Pixinguinha Alma e Corpo" reviewed by Dave Hughes


Brazilian saxophonist/flautist Carlos Malta demonstrates, on these two fine CDs, his proficiency of the entire saxophone and flute families, both in classical and Brazilian jazz contexts.

Pimenta , intended as a tribute to singer Elis Regina, covers the works of some of Brazil's premiere composers: Antonio Carlos Jobim, Milton Nascimento, Edu Lobo, Joao Bosco, Gilberto Gil. Although these classic tunes have been heard many times before, Malta digs deep into each song and offers the most spirited, challenging improvizations I've ...


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