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About Carlos Garnett

Album Review

Carlos Garnett: Cosmos Nucleus

Read "Cosmos Nucleus" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Nato a Panama nel 1938, Carlos Garnett è stato sassofonista, compositore e bandleader, noto ai più per la partecipazione al classico On the Corner di Miles Davis, benchè le sue frequentazioni fossero sempre improntate all'eccellenza (Art Blakey, Freddie Hubbard, Andrew Hill, Charles Mingus per citarne alcuni). Sull'onda del Davis elettrico, Garnett incide per la Muse dal 1974 al 1978 ben cinque album avviando una personale rivisitazione del mondo del jazz elettrico con un approccio che mescolava spiritual jazz, ...

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Album Review

Carlos Garnett: Cosmos Nucleus

Read "Cosmos Nucleus" reviewed by Pierre Giroux

by Pierre Giroux

When Cosmos Nucleus first appeared in 1976 on Muse Records, it was the kind of album that seemed to evoke various idioms. It was a bold statement that drew strength from jazz's spiritual core while speaking in the electrified dialect of funk and fusion. Tenor saxophonist Carlos Garnett, a Panamanian-born firebrand who had sharpened his skills alongside Miles Davis, Freddie Hubbard, and Art Blakey, conceived this project as both a personal revelation and a cosmic exploration. Nearly fifty years later, ...

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Album Review

Roy Brooks: Understanding

Read "Understanding" reviewed by Angelo Leonardi

by Angelo Leonardi

Il doppio compact di Roy Brooks pubblicato da qualche giorno (anche in lussuoso triplo vinile e in versione digitale) non è solo un tributo a uno dei massimi batteristi dei decenni sessanta/ottanta. Registrato il 1° novembre 1970 a Baltimora, presenta uno dei concerti più esaltanti del jazz contemporaneo, un hard bop intriso d'avanguardia—in particolare John Coltrane—che si sviluppa con intensità febbrile per due ore. Il merito va al misconosciuto batterista di Detroit e al suo quintetto comprendente Woody Shaw alla ...

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Album Review

Roy Brooks: Understanding

Read "Understanding" reviewed by Pierre Giroux

by Pierre Giroux

Roy Brooks was a preeminent hard-bop drummer who early on participated in seminal recording dates led by Horace Silver, Yusef Lateef and Sonny Stitt. In this release entitled Understanding, produced by Cory Weeds and Zev Feldman for Reel To Real Records, Brooks is documented live by The Left Bank Jazz Society at The Famous Ballroom in Baltimore on November 1, 1970. The limited-edition 180 gram 3-LP gatefold set of previously unreleased material, features a stellar band including trumpeter Woody Shaw, ...

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Profile

Carlos Garnett

Read "Carlos Garnett" reviewed by Russ Musto

by Russ Musto

"Down & Up Again," an original outing on “Giant Steps" changes from Carlos Garnett's Under Nubian Skies, is as apt a description of the fiery saxophonist's life as it is a testament to the new found heights of his artistry following a two-decade absence, during which he suffered in the depths of depression and drug addiction. These days he is making music at his highest level ever, with every note speaking to the spiritual awakening that revitalized him.Born ...

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Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins

by Todd S. Jenkins

Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

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311

Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins

by Todd S. Jenkins

Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

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