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Ryan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingOmar Thomas Large Ensemble: Griot Songs
by Alberto Bazzurro
Dopo una lunga gestazione, giunge a noi questo che è il terzo lavoro del Large Ensemble diretto dal compositore newyorchese Omar Thomas (incisione del maggio 2024), un doppio album ambizioso e di chiaro intento anche didascalico in cui l'orchestra appare eloquentemente come il naturale prolungamento del gesto autoriale, con risultati di notevole impatto, sette brani di ampio respiro (dai nove ai diciassette minuti) in cui la massa orchestrale tende a muoversi per lo più compatta, lungo partiture belle piene, solide, ...
Continue ReadingBrian Landrus: Plays Ellington & Strayhorn
by Angelo Leonardi
In questo nuovo album, Brian Landrus esalta la magniloquenza della sua timbrica grave con l'ampia gamma di strumenti che usa: non solo i prediletti sax baritono e clarinetto basso ma sax basso, flauto basso, flauto contralto, clarinetto contralto, ottavino e vari altri. La scelta del celeberrimo songbook di Duke Ellington e Billy Strayhorn è piuttosto insidiosa, per la difficoltà di trovare una chiave di lettura originale in un repertorio abusato, ma Landrus ha trovato la sua via: «Ascoltando questi ...
Continue ReadingBrian Landrus: Plays Ellington & Strayhorn
by Jack Bowers
When gathering material for a new recording, one time-honored rule of thumb is that it is hard to stray too far off course when revisiting the musical handiwork of renowned composer Duke Ellington and/or the Duke's virtuosic alter ego, Billy Strayhorn--even if one chooses to lead with an Ellington theme as relatively unknown as “Agra" from 1967's Far East Suite, which baritone saxophonist Brian Landrus does on Plays Ellington & Strayhorn, a graceful and stylish quartet date that also encompasses ...
Continue ReadingTradition And Innovation
by Bob Osborne
The roots of jazz are firmly embedded in African culture. From that tradition, the music has expanded and been absorbed by other cultures and countries. From its birth in the USA, the music has grown to embrace the world and in doing so has developed in new and exciting ways. This show features all new innovative releases from predominantly the States but also taking in European, Asian and Latin American musicians. Playlist Show Intro 00:00 Jeff Coffin “Here ...
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