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John Vanore & Abstract Truth: Easter Island Suite
by Dan McClenaghan
The spirit of Oliver Nelson and the thousand ghosts of Easter Island loom large over John Vanore & Abstract Truth's Easter Island Suite. The Nelson side of the equation has its roots in trumpeter Vanore's attendance at a Nelson-directed summer program at Indiana University, which led him, as a student, into deeper explorations of Nelson's work, including 1961 classic Blues and the Abstract Truth (Impulse!). Hence, the name of his ensemble: John Vanore & Abstract Truth. As for Easter Island--the ...
Continue ReadingJohn Vanore & Abstract Truth: Easter Island Suite
by Jack Bowers
The first and last movements of Philadelphia-based trumpeter and composer John Vanore's epic Easter Island Suite were recorded thirty-five years apart, in 1989 and 2024, which says a lot about his determination to shepherd the ambitious enterprise to its conclusion. Movements 2 and 3 of the picturesque Suite were recorded in 2012. Even today, some three hundred years after it was first seen by Western eyes in the form of Dutch explorers led by Jacob Roggeveen, Easter Island, ...
Continue ReadingRyan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingOmar Thomas Large Ensemble: Griot Songs
by Alberto Bazzurro
Dopo una lunga gestazione, giunge a noi questo che è il terzo lavoro del Large Ensemble diretto dal compositore newyorchese Omar Thomas (incisione del maggio 2024), un doppio album ambizioso e di chiaro intento anche didascalico in cui l'orchestra appare eloquentemente come il naturale prolungamento del gesto autoriale, con risultati di notevole impatto, sette brani di ampio respiro (dai nove ai diciassette minuti) in cui la massa orchestrale tende a muoversi per lo più compatta, lungo partiture belle piene, solide, ...
Continue ReadingBrian Landrus: Plays Ellington & Strayhorn
by Angelo Leonardi
In questo nuovo album, Brian Landrus esalta la magniloquenza della sua timbrica grave con l'ampia gamma di strumenti che usa: non solo i prediletti sax baritono e clarinetto basso ma sax basso, flauto basso, flauto contralto, clarinetto contralto, ottavino e vari altri. La scelta del celeberrimo songbook di Duke Ellington e Billy Strayhorn è piuttosto insidiosa, per la difficoltà di trovare una chiave di lettura originale in un repertorio abusato, ma Landrus ha trovato la sua via: «Ascoltando questi ...
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