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Henry Threadgill: Listen Ship
by Giuseppe Segala
As in other recent works, on Listen Ship Henry Threadgill appears solely as composer and conductor. No surprise there: his works vividly showcase a quest for a personal compositional dimension, one that reflects his drive for authenticity while engaging in dialogue, proposing a possible intersection between Black American musical traditions and other musical realms. This is eloquently detailed in his 2023 autobiography, Easily Slip into Another World. A Life in Music, a gem in the realm of autobiographies, where he ...
Continue ReadingHenry Threadgill: Listen Ship
by Giuseppe Segala
Come in altri suoi lavori recenti, anche su Listen Ship Henry Threadgill compare unicamente in qualità di compositore e conduttore. Nessuna meraviglia: sappiamo che il musicista di Chicago è tra i grandi compositori della contemporaneità. È evidente e ricchissima, nelle sue opere, la ricerca di una dimensione compositiva personale, che ne rispecchi l'impulso di autenticità e nel contempo si metta in dialogo, proponga un incrocio possibile tra musiche di matrice neroamericana e altre aree musicali. Come è dettagliatamente narrato nella ...
Continue ReadingBrandon Ross Phantom Station: Off the End
by Vic Albani
"Navigando tra luce e oscurità, con Off the End, Brandon Ross Phantom Station offre una cerimonia che è allo stesso tempo aperta e strettamente focalizzata, rivelando uno spirito impavido slegato da vincoli stilistici." Le poche parole tratte dalla recensione pubblicata da “Jazz Trail" inquadrano perfettamente e in poche parole il sunto stilistico del nuovo lavoro discografico della straordinaria creatività del signor Ross, in Italia sicuramente e purtroppo poco conosciuto a parte forse l'avventura con il collettivo avant-rock Harriet Tubman accanto ...
Continue ReadingBrandon Ross, Vinnie Sperrazza & Gordon Grdina
by Maurice Hogue
It's deep, it's different, it's unique and definitely original--the music of guitarist Brandon Ross & Phantom Station. Off The End is the feature album in this episode. Also new, drummer Vinnie Sperrazza & Apocryphal, the very creative guitar/oud player Gordon Grdina with two different albums, and a bunch of interesting music from Europe: saxophonist Signe Emmeluth Friends & Neighbors and the Scheen Jazzorkester with Cortex from Norway, Italian groups Looty Trio & Circles 44, Bulliphan} from Belgium, and Portugal's Old ...
Continue ReadingButch Morris: Current Trends in Racism in Modern America
by Howard Mandel
When a full house of ardent downtown music followers flocked to the old Kitchen, a performance loft on Broome Street in Manhattan's artsy Soho district on the cold night of February 1, 1985 to hear Current Trends in Racism in Modern America by Lawrence Douglas “Butch" Morris--I don't recall if it was advertised as “Conduction No. 1"--no one knew what to expect. At that time, as now, Butch was an inspired and productive presence on a diversified music ...
Continue ReadingWadada Leo Smith: Fire Illuminations
by Mike Jurkovic
Eighty-one year old trumpeter Wadada Leo Smith comes out flaring like Bitches Brew era Miles Davis, as Fire Illuminations jumps the funk rock from the break of the muscular conflagration “Ntozake." And the grunge jazz clips along as guitarists Nels Cline, Brandon Ross, and Lamar Smith vie, bite, sting, and quarrel over an insistent bass drum power-groove courtesy of bassists Bill Laswell and Melvin Gibbs, percussionist Mauro Refosco, drummer Pheeroan aKlaff, and the deep space electronics of Hardedge.
Continue ReadingWadada Leo Smith: Fire Illuminations
by Dan McClenaghan
Trumpeter Wadada Leo Smith fronts lots of different bands and puts out lots of albums. After a busy period when he released five boxed sets, totaling 27 CDs, here he debuts his new all-star ensemble Orange Wave Electric, with the download-only offering, Fire Illuminations. As the band name implies, the sound is electric, featuring three electric guitarists, two electric bassists and an electronicist, joining the leader's horn, percussionist Mauro Refosco and drummer Pheeroan aKLaff. For comparison's sake--and using ...
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