Home » Jazz Articles » Brad Mehldau
Jazz Articles about Brad Mehldau
About Brad Mehldau
44 Voll-Damm Festival de Jazz de Barcelona: China Moses, Albert Sanz Trio y Brad Mehldau Trio
by Enrique Turpin
China Moses44 Voll-Damm Festival Internacional de Jazz de BarcelonaArtèria Paral.lel17 de noviembre de 2013No siempre hacen caso los hijos a los padres. De hecho, no debieran cuando llegan a una edad --padres e hijos--, pero siempre hay excusas para no contrariar a las voces de la experiencia. Una de esas voces se atrevió a recomendar a la joven hija de Dee Dee Bridgewater que se olvidara de seguir por el camino del rap, que cantaba ...
Continue ReadingBrad Mehldau Trio: Where Do You Start
by John Kelman
Hot on the heels of Brad Mehldau's Ode (Nonesuch, 2012)--the pianist's first all-original set with his current trio--comes Where Do You Start, culled from the same recording sessions but, with the exception of one Mehldau tune, all cover material. This isn't the first time Mehldau has split a particularly fruitful session down the same compositional line: Anything Goes (Warner Bros.) and House on Hill (Nonesuch) were both same from the same sessions, recorded with original drummer Jorge Rossy before he ...
Continue ReadingBrad Mehldau Trio: Denver, CO, May 11, 2012
by Geoff Anderson
Brad Mehldau TrioNewman CenterDenver, COMay 11, 2012Pianist Brad Mehldau takes jazz seriously. He named his second album as a leader The Art of the Trio (Warner Bros., 1997). But wait, he didn't use that name for just one album; he released five albums, as a series, under that name. Those albums came out from 1997 to 2001 and have recently been reissued in a box set, Art of the Trio Recordings: 1996-2001 (Nonesuch, 2011).
Continue ReadingBrad Mehldau Trio: Ode
by Ian Patterson
Seven years separate Ode from this trio's last studio recording, the outstanding Day is Done (Nonesuch, 2005), which has come to mark a before-and-after in Brad Mehldau's trajectory. Previously, the pianist had recorded in a traditional trio setting with few exceptions. Since Day is Done, however, Mehldau's projects have covered much more diverse terrain: setting poetry to music with classical soprano Renée Fleming; rubbing shoulders with guitarist Pat Metheny; and blending classical and popular song with mezzo-soprano Anne Sofie von ...
Continue ReadingBrad Mehldau Trio: Ode
by Doug Collette
Brad Mehldau TrioOdeNonesuch Records2012The very first notes of the Brad Mehldau Trio's Ode sound rich, lyrical and full of energy. This may come as a surprise to those unfamiliar with the pianist's work, but loyal followers of Mehldau know he brings an unusual intensity to his work, particularly his solo projects and the collaborations with his trio (currently bassist Larry Grenadier and drummer Jeff Ballard). This, the first studio trio recording since ...
Continue ReadingBrad Mehldau Trio: Ode
by John Kelman
The Art of the Trio: Recordings 1996-2001 (Nonesuch, 2011) provided an opportunity to reassess Brad Mehldau's rapid trajectory, though the trio that established him as one of the past two decades' most important pianists was long gone. If Jorge Rossy's replacement in 2005 seemed to open the trio up more, it's perhaps because drummer Jeff Ballard is a more assertive conversationalist, as demonstrated from the get-go on Knives Out," the first track on Mehldau's debut with this updated incarnation, Day ...
Continue ReadingBrad Mehldau: The Art of the Trio - Recordings 1996-2001
by John Kelman
Brad Mehldau Trio The Art of the Trio: Recordings 1996-2001 Nonesuch Records 2011 It's hard to believe that it's only been fifteen years since Brad Mehldau emerged on the scene, so prevalent and influential has the pianist become since then. At the same time as he was gaining some significant attention for his work with saxophonist Joshua Redman on Moodswing (Warner Bros., 1994), the then 24 year-old pianist had been recruited by Redman's label, ...
Continue Reading


