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11

Album Review

Ivo Perelman: Synesthesia

Read "Synesthesia" reviewed by Mike Jurkovic

by Mike Jurkovic

Like past gatherings of tenor saxophonist Ivo Perelman, pianist Matthew Shipp, bassist William Parker, and drummer Bobby Kapp, inscribed to memory on the highly touted  Ineffable Joy (ESP, 2019) and Heptagon (Leo Records, 2017), Synesthesia erupts into consciousness with a punch and flurry.  Feverish by design, “First Color Heard" stays true to its title and to the heart of each participant. Rambling, rumbling, reaching for the stars, Perelman exhorts his fellow travelers, and “First Color Heard" fills the airspace ...

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1

Album Review

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Three For Shepp To Gesprachsfetzen Revisited" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Tre brani di Marion Brown e altrettanti di Archie Shepp compongono il primo dei due album riuniti, come sempre meritoriamente, in questo CD, provenendo da quello che rappresenta il debutto dell'altosassofonista georgiano su Impulse!, inciso il 1° dicembre 1966 (dopo un paio di ESP e un Fontana) e pubblicato l'anno seguente. La stessa Impulse!, come già aveva fatto con lo stesso Shepp riferendolo a Coltrane per Four for Trane, ricicla per l'occasione la stessa formula riferendo Brown al collega di ...

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14

Album Review

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Three For Shepp To Gesprachsfetzen Revisited" reviewed by Mark Corroto

by Mark Corroto

It's not too late to catch up with alto saxophonist and composer Marion Brown. Thanks to this excellent reissue and remaster series, you can hear the innovative recordings from this master musician. This release follows his 1965/66 discs Capricorn Moon To Juba Lee Revisited (ezz-thetics, 2019) and 1966/67 discs Why Not? Porto Novo! Revisited (ezz-thetics, 2020). Chris May's excellent liner notes posit an answer to Brown's relative obscurity. He essentially lays the blame on marketing. Record labels and ...

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3

Liner Notes

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Marion Brown: Three For Shepp To Gesprachsfetzen Revisited" reviewed by Chris May

by Chris May

"It is often those we hear the least that we should listen to the most." So wrote the Guadeloupean pianist Jonathan Jurion on the release of his album Le Temps Fou: The Music Of Marion Brown (Komos, 2019). Just why Marion Brown has become such a rarely acknowledged figure is unclear. He possessed all the qualifications needed to go large plus a few extras for good measure. He was a good-looking man. He dressed well (telling Dave ...

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23

Album Review

Bobby Kapp: Synergy

Read "Synergy" reviewed by Jack Bowers

by Jack Bowers

The subtitle of Synergy is “Bobby Kapp plays the music of Richard Sussman," which is true to some extent. To be more precise, drummer Kapp is at the heart of a septet, conducted by Scott Reeves, that features composer Sussman at the piano. So, while “Bobby Kapp plays" is technically correct, it does not represent the whole picture. What is more, this is a group with a rather unusual front line of violin, clarinet, tenor sax and French ...

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8

Album Review

Noah Howard: Quartet To At Judson Hall, Revisited

Read "Quartet To At Judson Hall, Revisited" reviewed by Mark Corroto

by Mark Corroto

Saxophonist Noah Howard is a musician deserving wider recognition. Born in New Orleans in 1943, like many black musicians he began playing music in the church. After a stint in the army, he settled on the West Coast where the avant-garde was progressing outside the purview of New York, which at the time was considered the center of all things jazz. The West Coast was also the origin of such as avant-gardists as Ornette Coleman, Don Cherry, Charlie Haden, and ...

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2

Album Review

Ivo Perelman - Dave Burell - Bobby Kapp: Trichotomy

Read "Trichotomy" reviewed by Hrayr Attarian

by Hrayr Attarian

Intrepid saxophonist Ivo Perelman is a master improviser who has the knack of engaging others of a similar mindset to create provocative music. On his third release of 2023, the stimulating Trichotomy, he joins forces with the equally innovative pianist Dave Burrell with whom he recorded a duo session a few years back. Versatile drummer Bobby Kapp, another idiosyncratic artist, completes the trio which stretches out on two long, dynamic, multilayered pieces. “Part One" starts off with a ...

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