Home » Jazz Articles » Bill Bruford

Jazz Articles about Bill Bruford


About Bill Bruford

479

Multiple Reviews

Bill Bruford's Earthworks: All Heaven Broke Loose / Stamping Ground

Read "Bill Bruford's Earthworks: All Heaven Broke Loose / Stamping Ground" reviewed by John Kelman


Part 1 | Part 2As described in an earlier review of his first round of Earthworks reissues, drummer Bill Bruford considers 1987 as something of a fence constructed in his career—the year where he, at least from the perspective of his own work, stopped being considered a rock drummer, becoming a jazz drummer. Walking away from “all guitars and electric" towards “all saxophones and acoustic," it's a distinction made only by people who need to stylistically pigeonhole an ...

637

Multiple Reviews

Bill Bruford: Feels Good to Me and One of a Kind

Read "Bill Bruford: Feels Good to Me and One of a Kind" reviewed by John Kelman


Part 1 | Part 2 With a career that first defined by his metrically-challenging work and instantly recognizable drum sound with progressive rock groups Yes and King Crimson, nothing could have prepared anyone for the surprise of drummer Bill Bruford's first solo release, Feels Good to Me. While Bruford's signature style--a mathematically-precise approach that never failed to find the innate groove in even the most complex of time signatures--was in clear evidence, the album didn't sound like ...

358

Multiple Reviews

Bill Bruford's Earthworks: Earthworks & Dig?

Read "Bill Bruford's Earthworks:  Earthworks & Dig?" reviewed by John Kelman


Part 1 | Part 2 According to drummer Bill Bruford, the year 1987 was considered something of a fence constructed in the middle of his career—the year where he, at least from the perspective of his own work, stopped being considered a rock drummer (albeit a progressive one at that) and became a jazz drummer. With the formation of the first of his Earthworks bands, Bruford apparently walked away from “all guitars and electric" towards “all saxophones and ...

851

Film Review

Bill Bruford & Michiel Borstlap: In Concert In Holland

Read "Bill Bruford & Michiel Borstlap: In Concert In Holland" reviewed by John Kelman


Bruford | BorstlapIn Concert In HollandSummerfold Records 2005 2005 seems to be the year of Bill Bruford. The drummer who first made his name with groups like Yes and King Crimson, but has more recently been heard in a looser improvisational context that might be considered jazz but also demonstrates elements of things farther afield, has a number of releases on the go. On his fledgling Winterfold and Summerfold labels fans will get the opportunity, ...

407

Album Review

Bill Bruford/Michiel Borstlap: Every Step a Dance, Every Word a Song

Read "Every Step a Dance, Every Word a Song" reviewed by John Kelman


Drummer Bill Bruford has certainly come a long way since his emergence with Yes in the early '70s. While his interest in jazz was evident in the improvisational aspect of his 25-year association with King Crimson, his mathematical sense of precision and disposition towards mind-boggling subdivisions of rhythm often precluded the kind of elasticity required to approach the looser demands of jazz. As early as '83, however, Bruford was experimenting with the intimate conversational nature of the duo on recordings ...

465

Multiple Reviews

Winterfold Reissues Two By Patrick Moraz and Bill Bruford

Read "Winterfold Reissues Two By Patrick Moraz and Bill Bruford" reviewed by John Kelman


For drummer Bill Bruford, known for his work with progressive rockers King Crimson and Yes, but perhaps someone who should be more duly considered for his recent forays into jazz with his Earthworks band, currently featuring British woodwind multi-instrumentalist Tim Garland, the creation of his own record label seems, as it has for many artists including Dave Holland and Dave Douglas, the next and right logical step. But with a diverse catalogue of projects that stretches back nearly 30 years, ...

460

Extended Analysis

The 21st Century Guide to King Crimson: Volume One 1969-1974

Read "The 21st Century Guide to King Crimson: Volume One 1969-1974" reviewed by John Kelman


Of all the groups to emerge from the late '60s-early '70s heyday of British Progressive Rock (capitals fully intended), no group has reinvented itself more frequently and, perhaps, more rapidly than King Crimson. As time has gone on the group's ostensible leader Robert Fripp has refashioned the group through periods of high melodrama to nuevo metal and just about everything in between. Until recently, new fans who wanted an overview of the band had to satisfy themselves with the 4-CD ...


Engage

Publisher's Desk
A Word About Social Media and Other Platforms
Read on...
The place for jazz polls and surveys!
Reader Polls
Which jazz venues deserve to be on top?
Cast Your Vote Today
The Big Question
Why Is Jazz A Big Deal Everywhere… Except In The US?
Post Your Comment

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.