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Jazz Articles about Arthur Blythe

23
Album Review

Arthur Blythe Quartet: Live From Studio Rivbea, July 6, 1976

Read "Live From Studio Rivbea, July 6, 1976" reviewed by John Sharpe


Saxophonist Arthur Blythe arrived in New York City in 1974 with a gorgeous tone and a fully formed conception. Having featured in the ensembles of pianist Horace Tapscott in his native LA, he first caught the ear in the Big Apple after his recruitment into the bands of drummer Chico Hamilton and pianist/composer Gil Evans. This gem from Sam Rivers' Studio Rivbea archive constitutes his debut as a leader, recorded some seven months before the previous contender for that title, ...

15
Play This!

Arthur Blythe: Lenox Avenue Breakdown

Read "Arthur Blythe: Lenox Avenue Breakdown" reviewed by Chris May


One of the most egregiously underestimated albums in jazz history, alto saxophonist Arthur Blythe's Lenox Avenue Breakdown was released on vinyl by Columbia in 1979 and on CD by Columbia (Japan) in 1995 and Koch Jazz in 1998. That's it bar a dodgy fourfer. Blythe fronts a septet completed by flautist James Newton, tubaist Bob Stewart, guitarist James Blood Ulmer, bassist Cecil McBee, drummer Jack DeJohnette and percussionist Guillermo Franco. Producer is Bob Thiele. The title track has the most ...

48
Building a Jazz Library

Saxophone Colossi: An Alternative Top Ten Banging Albums

Read "Saxophone  Colossi: An Alternative Top Ten Banging Albums" reviewed by Chris May


Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into their own a decade later, during the swing era, when Coleman Hawkins and Lester Young legitimised the instrument as a solo voice.

5
Multiple Reviews

Basic Beauty: Arthur Blythe on Columbia

Read "Basic Beauty: Arthur Blythe on Columbia" reviewed by Jakob Baekgaard


Back in 2016, BGO Records started reissuing the complete works of alto saxophonist Arthur Blythe (1940-2017) on Columbia. The first volume containing Lenox Avenue Breakdown (1979), In the Tradition (1980), Illusions and Blythe Spirit (1981) has already been reviewed on AAJ. The following two volumes complete the project of putting an important body of work from one of the great, unsung saxophonists in jazz history back into circulation. Arthur Blythe Elaborations/Light Blue: Arthur Blythe Plays Thelonious ...

15
Profile

Arthur Blythe, 1940-2017: A Remembrance

Read "Arthur Blythe, 1940-2017: A Remembrance" reviewed by Todd S. Jenkins


The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past several years, passed away on March 27, 2017 at the age of 76. Blythe's musical cohorts and fans remember him with deep ...

5
Album Review

Arthur Blythe: Lenox Avenue Breakdown / In The Tradition / Illusions / Blythe Spirit

Read "Lenox Avenue Breakdown / In The Tradition / Illusions / Blythe Spirit" reviewed by Jakob Baekgaard


Jazz-reissues are important because they help to write and rewrite jazz-history. Through reissues, the prominence of an artist is maintained and the canon is confirmed, but it can also be questioned and corrected. A double-disc from the excellent reissue label, BGO, brings four key records from leader and alto saxophonist, Arthur Blythe, back into circulation. The records, all released on Columbia, are: Lenox Avenue Breakdown (1979), In The Tradition (1980), Illusions (1980) and Blythe Spirit (1981). The ...

233
Album Review

Arthur Blythe: Exhale

Read "Exhale" reviewed by Rex  Butters


Arthur Blythe continues his fruitful association with producer/drummer Cecil Brooks III on Exhale, his latest for the Savant label, also teaming up with longtime partner and tuba player Bob Stewart, plus John Hicks on piano. The eclectic playlist conveys the many facets of the musicians involved.

Coltrane's "Cousin Mary" gets the party started in swing time with Stewart pumping the bass line. Blythe sneaks a little 'Trane phrasing in, but stays true to himself. His short, full toned solo sets ...


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