Home » Jazz Articles » Arthur Blythe
Jazz Articles about Arthur Blythe
Charles Tyler Ensemble: Voyage From Jericho
by Mark Corroto
Was it a matter of timing, or simply living in the shadow of giants, that has kept saxophonist Charles Tyler off most listeners' radars? Born in Kentucky in 1941 and raised in Indianapolis, Tyler first gained recognition through his association with Albert Ayler. After relocating to Cleveland in the early '60s, the two became fast friends, and Tyler's fiery saxophone can be heard on Ayler's early ESP-Disk recordings Bells (1965) and Spirits (1965). He soon stepped forward as ...
Continue ReadingArthur Blythe Quartet: Live From Studio Rivbea, July 6, 1976
by John Sharpe
Saxophonist Arthur Blythe arrived in New York City in 1974 with a gorgeous tone and a fully formed conception. Having featured in the ensembles of pianist Horace Tapscott in his native LA, he first caught the ear in the Big Apple after his recruitment into the bands of drummer Chico Hamilton and pianist/composer Gil Evans. This gem from Sam Rivers' Studio Rivbea archive constitutes his debut as a leader, recorded some seven months before the previous contender for that title, ...
Continue ReadingArthur Blythe: Lenox Avenue Breakdown
by Chris May
One of the most egregiously underestimated albums in jazz history, alto saxophonist Arthur Blythe's Lenox Avenue Breakdown was released on vinyl by Columbia in 1979 and on CD by Columbia (Japan) in 1995 and Koch Jazz in 1998. That's it bar a dodgy fourfer. Blythe fronts a septet completed by flautist James Newton, tubaist Bob Stewart, guitarist James Blood Ulmer, bassist Cecil McBee, drummer Jack DeJohnette and percussionist Guillermo Franco. Producer is Bob Thiele. The title track has the most ...
Continue ReadingSaxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into their own a decade later, during the swing era, when Coleman Hawkins and Lester Young legitimised the instrument as a solo voice.
Continue ReadingBasic Beauty: Arthur Blythe on Columbia
by Jakob Baekgaard
Back in 2016, BGO Records started reissuing the complete works of alto saxophonist Arthur Blythe (1940-2017) on Columbia. The first volume containing Lenox Avenue Breakdown (1979), In the Tradition (1980), Illusions and Blythe Spirit (1981) has already been reviewed on AAJ. The following two volumes complete the project of putting an important body of work from one of the great, unsung saxophonists in jazz history back into circulation. Arthur Blythe Elaborations/Light Blue: Arthur Blythe Plays Thelonious ...
Continue ReadingArthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past several years, passed away on March 27, 2017 at the age of 76. Blythe's musical cohorts and fans remember him with deep ...
Continue ReadingArthur Blythe: Lenox Avenue Breakdown / In The Tradition / Illusions / Blythe Spirit
by Jakob Baekgaard
Jazz-reissues are important because they help to write and rewrite jazz-history. Through reissues, the prominence of an artist is maintained and the canon is confirmed, but it can also be questioned and corrected. A double-disc from the excellent reissue label, BGO, brings four key records from leader and alto saxophonist, Arthur Blythe, back into circulation. The records, all released on Columbia, are: Lenox Avenue Breakdown (1979), In The Tradition (1980), Illusions (1980) and Blythe Spirit (1981). The ...
Continue Reading
