Jazz Articles about Anna Abondolo

About Anna Abondolo

Album Review

Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: “Camera got them images / Camera got them all / Nothing's shocking... “ The second, often attributed to William S. Burroughs: “Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries dissolve and meaning becomes fluid. Hanes both affirms and challenges that premise in this sprawling, provocative work. Gargantua is written for an ...

Album Review

Simon Hanes: Gargantua

Read "Gargantua" reviewed by Vincenzo Roggero

by Vincenzo Roggero
May 25, 2026

Tre batterie, tre bassi elettrici, tre tromboni, tre corni francesi e tre voci, questo l'ensemble che mette in scena Gargantua, album proveniente dalla sempre più benemerita Pyroclastic Records. Inusuale, sorprendente, bizzarra strumentazione? Niente affatto, se in cabina di regia siede Simon Hanes, visionario artista, californiano di nascita ma residente a Brooklyn, che miscela le più disparate suggestioni musicali--siano esse polifonie rinascimentali, hard rock, noise, minimalismo, avant jazz, o colonne sonore italiane anni sessanta/settanta--con sorprendente nonchalance e altrettanto sorprendenti risultati.

Album Review

Henry Godfrey Jazz Orchestra: Attitude & Gratitude

Read "Attitude & Gratitude" reviewed by Jack Bowers

by Jack Bowers
April 24, 2023

There are five songs on Attitude & Gratitude, drummer Henry Godfrey's Boston-based Jazz Orchestra's second album, and each one is a tribute to people, places or circumstances that have helped Godfrey grow as a musician and as a person. In order, they are “For McCoy" (honoring pianist McCoy Tyner and other jazz legends who have passed on); “Mad Max" (for the city [Washington, DC] in which Godfrey grew up); “Forgetting What Will Never Be" (for lost love and ...