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Jazz Articles about Alyssa Allgood
Alyssa Allgood, John Minnock, and Ron Miles
by Jerome Wilson
This show features new music from Alyssa Allgood, John Minnock, and Ron Miles and older work by Prince Lasha, Lee Konitz, and Barry Harris.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Fred Hersch Trio “Calligram" from Sunday Night at the Vanguard (Palmetto) 00:56 David Bixler “Peace Prize" from BEATitude (Tiger Turn) 5:59 Host Speaks 13:22 Jack Walrath “Grandpa Moses" from Live ...
Continue ReadingKenny Reichert: Switch
by Mark Corroto
Chicago guitarist Kenny Reichert works extremely hard to make his sound come across as casual on Switch. If you do not count the numerous discs with his partner Sara d'Ippolito Reichert, this is his third release as a leader. It follows Deep Breath (Shifting Paradigm Records, 2023) and returning from that previous outing are vocalist Alyssa Allgood and drummer Devin Drobka. Anchored by the rock steady pulse of bassist Ethan Philion, the title track opens with Reichert and ...
Continue ReadingKenny Reichert: Deep Breath
by Richard J Salvucci
Kenny Reichert is a Chicago-based guitarist of broad background, Berklee training, and wide-ranging tastes in pop and jazz. He has self-released one studio album, Interpretations (2015). Reichert records mostly originals. If you are looking for influences, “Spears" (a play on “Sphere"?) sounds Thelonious Sphere Monk-ish enough, with plenty of solo space for saxophonist Tony Barba woven in. Barba can hold his own with anyone. Reichert does not shy away from vocals either. His lyricist and singer is Alyssa ...
Continue ReadingPaul Marinaro: Not Quite Yet
by Pierre Giroux
Singer Paul Marinaro issued his acclaimed debut album Without A Song (122 Myrtle Records) in 2013. Seven years after the release of his follow-up, “One Night In Chicago" (122 Myrtle Records), and with almost a decade of performing from coast to coast at top-end clubs, including New York's Birdland, he has released Not Quite Yet, which is devoted to exploring timeless themes, such as life, love and the search for lasting connections. Accompanying Marinaro are longtime band members guitarist Mike ...
Continue ReadingPaul Marinaro: Not Quite Yet
by Richard J Salvucci
The cover of the album is vaguely noir, with the urban greenish cast of tungsten film. A sole figure leans slightly against a building, downcast, staring into his soul, and waiting out a lit cigarette when it was still hip to smoke. The guy is Frank Sinatra and the album was In The Wee Small Hours. The year is 1955. It is difficult to believe that Chicago-based vocalist Paul Marinaro has even been born, but clearly, Sinatra will make an ...
Continue ReadingAlyssa Allgood: What Tomorrow Brings
by C. Michael Bailey
In the chemistry lab, solvents are said to be punctilious when they have been completely purified through filtering, distillation, and chromatography. Punctilious ether, if a sound, could be compared to the perfectly polished tone generated from lead crystal when struck with a platinum spoon. This is the level of refinement heard in Alyssa Allgood's voice on What Tomorrow Brings. Allgood has been filtering and distilling her tone over three previous recordings: Lady BIrd (Self Produced, 2015); Out Of The Blue ...
Continue ReadingC. Michael Bailey’s Best Releases of 2016
by C. Michael Bailey
Shifting priorities in 2016 prevented me from either listening to or reviewing as much music as I have in the past. Thus, I did not take a swing at many fine recordings that by all accounts should be on this list like: John Scofield's Country for Old Men (Impulse!); Keith Jarrett's A Multitude of Angels (ECM); Frank Kimbrough's Solstice (Pirouet Records); Joe Lovano's Classic! Live at Newport (Blue Note Records); or Michael Formanek's Ensemble Kolossus' The Distance (ECM).
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