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Alyssa Allgood

Named a “Rising Star Female Vocalist” in the 2024 and 2025 Downbeat Magazine Critics Poll and voted “Best Individual Jazz Musician” in the 2024 Chicago Reader Poll, Alyssa Allgood has captured attention for her dynamic vocal command, sophisticated songwriting, and captivating performances. Showcasing modern sensibilities, Allgood is a fearless vocalist known for her confident musical interaction, fierce improvisation, and vulnerable expression. Downbeat Magazine has praised her “boldness, swagger, and surefooted musicianship” while the New York City Jazz Record has recognized her “force, clarity and jazz integrity.”

A charismatic and engaging performer, Allgood regularly headlines the acclaimed Jazz Showcase, Green Mill and Winter’s Jazz Club in her Chicago homebase. She tours frequently, having appeared at such esteemed venues as Jazz at Lincoln Center’s Dizzy’s Club, Birdland, Mezzrow in New York, Blues Alley in DC, Blue Llama in Ann Arbor, Jazz, TX in San Antonio, Rudy’s Jazz Room in Nashville, The Century Room in Tucson and many others. 

As a recording artist, Allgood has released four albums as a leader. Her 2024 release, From Here, is a powerful collection of original music recorded with internationally renowned musicians Geoffrey Keezer, John Patitucci, Kendrick Scott and Greg Ward. Two songs from the album were selected as finalists in the 2023 John Lennon Songwriting Contest and the 2023 International Songwriting Competition

Her previous albums What Tomorrow Brings (2021), Exactly Like You (2018) and Out of the Blue (2016) garnered Allgood praise for her lyrical expression, instrumental approach and accomplished scat and vocalese singing. 

Allgood was a semifinalist in the 2015 Shure Montreux Jazz Voice Competition, where jazz icon Al Jarreau led the jury, before winning the Inaugural Ella Fitzgerald Jazz Voice Competition (2017) and the David Baker Memorial Scholarship offered through the Jazz Education Network (2022). Closer to home, she was a 2016 Jazz Improvisation Fellow of the Luminarts Cultural Foundation in Chicago and was named Best Jazz Entertainer in the Chicago Music Awards (2019).

Allgood teaches in the Jazz Department at Loyola University. She is a highly sought-after clinician, ensemble director and adjudicator who uses her experience on the bandstand to empower students and nurture their artistic journey. Allgood holds a Master of Music in Jazz Studies from DePaul University, where she served as a graduate assistant. Her teaching work has appeared at the Jazz Education Network Conference, the University of North Texas’s Jazz Lecture Series, the Illinois Music Educators Association, the Iowa Choral Directors Association, Anchor Music’s Vocal Jazz Academy, jazzvoice.com, the University of Chicago and many other prestigious institutions.

Awards

2025 - Chamber Music America Performance Plus Grant

2025 - DownBeat Magazine Critics Poll “Rising Star Female Vocalist”

2025 - Jazz Education Network Commissions Program

2024 - DownBeat Magazine Critics Poll “Rising Star Female Vocalist"

2024 - Chicago Reader Poll “Best Individual Jazz Musician”

2023 - International Songwriting Competiton Finalist

2023 - John Lennon Songwriting Contest Finalist

2022 - David Baker Memorial Scholarship Jazz Education Network

2022 - International Songwriting Competition Semifinalist

2020- Project grants from Illinois Arts Council and Chicago Department of Cultural Affairs

2019 -Chicago Music Awards Best Jazz Entertainer

2017 - Inagural Ella Fitzgerald Competition Winner

2016 - Luminarts Cultural Foundation Jazz Improvisation Fellow

2015 - Montreux Jazz Voice Competition Semifinalist


Tags

1
Radio & Podcasts

Alyssa Allgood, John Minnock, and Ron Miles

Read "Alyssa Allgood, John Minnock, and Ron Miles" reviewed by Jerome Wilson


This show features new music from Alyssa Allgood, John Minnock, and Ron Miles and older work by Prince Lasha, Lee Konitz, and Barry Harris.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Fred Hersch Trio “Calligram" from Sunday Night at the Vanguard (Palmetto) 00:56 David Bixler “Peace Prize" from BEATitude (Tiger Turn) 5:59 Host Speaks 13:22 Jack Walrath “Grandpa Moses" from Live ...

8
Album Review

Kenny Reichert: Switch

Read "Switch" reviewed by Mark Corroto


Chicago guitarist Kenny Reichert works extremely hard to make his sound come across as casual on Switch. If you do not count the numerous discs with his partner Sara d'Ippolito Reichert, this is his third release as a leader. It follows Deep Breath (Shifting Paradigm Records, 2023) and returning from that previous outing are vocalist Alyssa Allgood and drummer Devin Drobka. Anchored by the rock steady pulse of bassist Ethan Philion, the title track opens with Reichert and ...

3
Album Review

Kenny Reichert: Deep Breath

Read "Deep Breath" reviewed by Richard J Salvucci


Kenny Reichert is a Chicago-based guitarist of broad background, Berklee training, and wide-ranging tastes in pop and jazz. He has self-released one studio album, Interpretations (2015). Reichert records mostly originals. If you are looking for influences, “Spears" (a play on “Sphere"?) sounds Thelonious Sphere Monk-ish enough, with plenty of solo space for saxophonist Tony Barba woven in. Barba can hold his own with anyone. Reichert does not shy away from vocals either. His lyricist and singer is Alyssa ...

5
Album Review

Paul Marinaro: Not Quite Yet

Read "Not Quite Yet" reviewed by Pierre Giroux


Singer Paul Marinaro issued his acclaimed debut album Without A Song (122 Myrtle Records) in 2013. Seven years after the release of his follow-up, “One Night In Chicago" (122 Myrtle Records), and with almost a decade of performing from coast to coast at top-end clubs, including New York's Birdland, he has released Not Quite Yet, which is devoted to exploring timeless themes, such as life, love and the search for lasting connections. Accompanying Marinaro are longtime band members guitarist Mike ...

8
Album Review

Paul Marinaro: Not Quite Yet

Read "Not Quite Yet" reviewed by Richard J Salvucci


The cover of the album is vaguely noir, with the urban greenish cast of tungsten film. A sole figure leans slightly against a building, downcast, staring into his soul, and waiting out a lit cigarette when it was still hip to smoke. The guy is Frank Sinatra and the album was In The Wee Small Hours. The year is 1955. It is difficult to believe that Chicago-based vocalist Paul Marinaro has even been born, but clearly, Sinatra will make an ...

10
Album Review

Alyssa Allgood: What Tomorrow Brings

Read "What Tomorrow Brings" reviewed by C. Michael Bailey


In the chemistry lab, solvents are said to be punctilious when they have been completely purified through filtering, distillation, and chromatography. Punctilious ether, if a sound, could be compared to the perfectly polished tone generated from lead crystal when struck with a platinum spoon. This is the level of refinement heard in Alyssa Allgood's voice on What Tomorrow Brings. Allgood has been filtering and distilling her tone over three previous recordings: Lady BIrd (Self Produced, 2015); Out Of The Blue ...

12
Year in Review

C. Michael Bailey’s Best Releases of 2016

Read "C. Michael Bailey’s Best Releases of 2016" reviewed by C. Michael Bailey


Shifting priorities in 2016 prevented me from either listening to or reviewing as much music as I have in the past. Thus, I did not take a swing at many fine recordings that by all accounts should be on this list like: John Scofield's Country for Old Men (Impulse!); Keith Jarrett's A Multitude of Angels (ECM); Frank Kimbrough's Solstice (Pirouet Records); Joe Lovano's Classic! Live at Newport (Blue Note Records); or Michael Formanek's Ensemble Kolossus' The Distance (ECM).

Read more articles

“…assured and daring.”

-Downbeat magazine

“…a model of sophisticated song interpretation.”

-Chicago tribune

“…an artist of the first order.”

-The Wholenote

“…Allgood assuming her proper position as one of the finest jazz vocalists today.”

-all about jazz

“…she is undeniably skillful at what she does.”

-the new york city jazz record

Photos

Concerts

Music

Recordings: As Leader | As Sideperson

Reminiscing

Self Produced
2025

buy

Warm Embrace

Shifting Paradigm Records
2025

buy

Switch

Calligram Records
2024

buy

From Here

Next Records
2024

buy

Deep Breath

Shifting Paradigm Records
2023

buy

Not Quite Yet

122 Myrtle Records
2022

buy

1324 Broadway

From: Warm Embrace
By Alyssa Allgood

Wish You Were Here

From: Reminiscing
By Alyssa Allgood

Midnight at the Oasis

From: Reminiscing
By Alyssa Allgood

Last Dance

From: Reminiscing
By Alyssa Allgood

Use Me

From: Reminiscing
By Alyssa Allgood

Tell Me Something Good

From: Reminiscing
By Alyssa Allgood

Videos

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