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Jazz Articles about Allan Mednard

1
Album Review

Jeremy Pelt: Tomorrow's Another Day

Read "Tomorrow's Another Day" reviewed by Alberto Bazzurro


L'avvio non è dei più incoraggianti, lambendo abbastanza pericolosamente la deriva dell'easy listening, ma poi, per fortuna, le cose migliorano e questo nuovo lavoro di Jeremy Pelt, virgulto ormai quarantottenne di certo “nuovo" jazz, riprende abbastanza convintamente la retta via. O meglio la strada maestra, perché è questo il nuovo verbo cui il trombettista californiano fa riferimento, glissando con una certa disinvoltura su tutto quanto avvenuto dopo (o attorno a) l'epoca aurea di suoi colleghi di strumento quali Clifford Brown, ...

23
Album Review

Caroline Davis: Portals, Volume 2 : Returning

Read "Portals, Volume 2 : Returning" reviewed by Glenn Astarita


Alto saxophonist/composer Caroline Davis, a rising star in the jazz world, has unveiled her second installment of the “Portals" series, titled Portals Vol. 2: Returning. This album serves as a sonic memoir, inspired by her grandmother, Joan “Lady" Anson-Weber, and it represents a deeply personal journey of reflection and healing. As a gifted saxophonist and composer, Davis draws upon her grandmother's poetic legacy to craft a musical experience that is both moving and evocative. This album stands as ...

58
Album Review

Matt Pavolka: Disciplinary Architecture

Read "Disciplinary Architecture" reviewed by Glenn Astarita


Matt Pavolka, a seasoned bassist and composer, has carved a distinct niche in the New York jazz scene for over two decades. Initially focused on trombone (studying under the legendary David Baker), Pavolka's path took a sharp turn at Berklee College of Music. There, he switched to bass and blossomed as a composer, earning accolades for both performance and composition. His latest offering, Disciplinary Architecture, is a record brimming with ambition and a unique sonic atmosphere. The album ...

Album Review

Guillermo Klein Quinteto: Telmo's Tune

Read "Telmo's Tune" reviewed by Angelo Leonardi


Sono passati tre decenni da quando l'argentino Guillermo Klein debuttò a New York col magistrale El Minotauro (Candid) evidenziando quelle doti di fantasioso orchestratore e bandleader che abbiamo apprezzato nei vari dischi incisi col suo ensemble Los Guachos e con la Swiss Jazz Orchestra. Negli anni l'abbiamo visto esibirsi anche con organici ridotti, dal quintetto presentato al Village Vanguard nel 2014 al minimale concept album con Rebecca Martin, Larry Grenadier e Jeff Ballard (The Upstate Project, Sunnyside, 2017). ...

21
Album Review

Jeremy Pelt: Tomorrow's Another Day

Read "Tomorrow's Another Day" reviewed by Jack Bowers


Trumpeter Jeremy Pelt, a force on the jazz scene for more than two decades, simply does his own thing on Tomorrow's Another Day, the twenty-fourth album as leader of his own groups, inviting any interested listeners to come on board for the ride. Pelt's thing these days apparently includes an abundance of special effects, reverb, heavy (and at times intrusive) rhythms, leavened with occasional flashes of the remarkable improviser he can be and often is. To help ...

1
Album Review

Alex LoRe & Weirdear: Evening Will Find Itself

Read "Evening Will Find Itself" reviewed by Maurizio Zerbo


Attraverso questo CD, gli appassionati italiani di jazz potranno conoscere e apprezzare Alex LoRe, uno dei più talentuosi sassofonisti emergenti dell'area newyorkese. Ispirato ai grandi modelli della grande tradizione jazzistica degli anni Sessanta, Evening Will Find Itself propone una musica ben costruita, interpretata col giusto pathos. Armonicamente e ritmicamente complesse, le dieci tracce del CD ed in particolare l'evocativo “Face Unseen" attualizzano la sontuosa lezione shorteriana, facendo leva sulle fantasiose doti improvvisative del quartetto. Oltre al ...

32
Album Review

Lucas Pino: Covers

Read "Covers" reviewed by Jack Bowers


Covers is a quartet date in which New York-based tenor saxophonist Lucas Pino “covers" half a dozen generally pleasing songs written by his contemporaries, alongside one each by Charlie Parker ("Relaxin' at Camarillo") and Duke Pearson ("New Girl"). Pino's smooth, articulate tenor saxophone is reinforced by guitarist Alex Goodman, bassist Rick Rosato and drummer Allan Mednard. This represents something of a departure for Pino who usually records with larger groups--including his No Net Nonet--and seldom covers other ...


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