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Jazz Articles about Alex Wintz
Nick Finzer: The Jazz Orchestra Volume 1
by Carl Medsker
Listening chronologically to seven of Nick Finzer's preceding albums is enlightening and entertaining, making several aspects of his musicianship abundantly apparent. His trombone sound is full and expressive, his playing melodious and he can soulfully sing a ballad. Six albums, dating back to 2013, featured his highly talented sextet, a significant accomplishment that enhances the depth and confidence of the recordings. But Finzer's evolving skills in arranging his fresh compositions truly distinguish his work. He choreographs his bandmates amidst lovely ...
Continue ReadingJeremy Pelt: Tomorrow's Another Day
by Alberto Bazzurro
L'avvio non è dei più incoraggianti, lambendo abbastanza pericolosamente la deriva dell'easy listening, ma poi, per fortuna, le cose migliorano e questo nuovo lavoro di Jeremy Pelt, virgulto ormai quarantottenne di certo “nuovo" jazz, riprende abbastanza convintamente la retta via. O meglio la strada maestra, perché è questo il nuovo verbo cui il trombettista californiano fa riferimento, glissando con una certa disinvoltura su tutto quanto avvenuto dopo (o attorno a) l'epoca aurea di suoi colleghi di strumento quali Clifford Brown, ...
Continue ReadingBrian Lynch: 7X7BY7
by Jack Bowers
The number seven, which for reasons shrouded in mystery, has long been considered a symbol of good luck, lies at the core of trumpeter Brian Lynch's latest album, 7X7BY7, which consists of seven themes performed by seven musicians with each number clocking in at precisely six seconds past seven minutes. Furthermore, it is said, “the...process [of creating the album] was designed to facilitate the smooth reassembly of elements...into new pieces. Shaped by these attributes along with their constraints, the music ...
Continue ReadingEtienne Charles: Creole Orchestra Featuring René Marie
by Angelo Leonardi
A 18 anni di distanza dal debutto discografico in Culture Shock il trombettista originario di Trinidad & Tobago, si cimenta come bandleader di un ampio organico, in una lussureggiante sintesi di ritmi caraibici e orchestrazioni che vanno dalla tradizione Swing all'hip hop. L'orchestra è un ampliamento della sua storica Creole Soul Band e ospita la cantante René Marie in quattro brani. Etienne ha iniziato a scrivere per ampi organici a partire dalla collaborazione con la stessa cantante ...
Continue ReadingEtienne Charles: Creole Orchestra Featuring René Marie
by Chris May
Trinidad-born Etienne Charles has been fortunate in his associates during his development as a jazz musician. One of the first friends he made on arrival in the U.S.A. in the early 2000s to study at Florida State University was faculty member Marcus Roberts. Among much else, the pianist taught Charles the importance of keeping in touch with his roots. “He always said make sure you put where you're from in your music," says Charles in the press materials accompanying his ...
Continue ReadingJeremy Pelt: Tomorrow's Another Day
by Jack Bowers
Trumpeter Jeremy Pelt, a force on the jazz scene for more than two decades, simply does his own thing on Tomorrow's Another Day, the twenty-fourth album as leader of his own groups, inviting any interested listeners to come on board for the ride. Pelt's thing these days apparently includes an abundance of special effects, reverb, heavy (and at times intrusive) rhythms, leavened with occasional flashes of the remarkable improviser he can be and often is. To help ...
Continue ReadingRoxy Coss: Disparate Parts
by Mike Jurkovic
Let's just get thing one out into the open right away: Disparate Parts has plenty of balls to spare. Saxophonist Roxy Coss' acute, teasingly biting tone and rich, no boundaries disposition to composing and jamming has placed her high in the generational echelon of new and challenging players. She willingly and unapologetically blends and blurs the lines to suit any and all missives, and the fourteen fireballs heard loud and clear on Disparate Parts broach nothing less. Commandeering ...
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