Jazz Articles about Alex Iles

About Alex Iles

Album Review

Dave Slonaker Big Band: Shifty Paradigms

Read "Shifty Paradigms" reviewed by Jack Bowers

by Jack Bowers
February 16, 2026

While Los Angeles-based composer and arranger Dave Slonaker's paradigms may be shifty, his all-star big band is about as forthright as one could wish. On Shifty Paradigms, his third recording fronting the band, Slonaker guides his peerless eighteen-member ensemble through its paces on a dynamic and always-swinging program that encompasses seven of his stellar original compositions and the venerable standard, “Bye Bye Blues." Slonaker's game plan is simple: give the band superior themes and charts on which to ...

Album Review

Judy Whitmore: Let's Fall in Love

Read "Let's Fall in Love" reviewed by Jack Bowers

by Jack Bowers
July 6, 2025

Polymath Judy Whitmore has taken time away from her busy and productive career(s) to record her fifth album, Let's Fall in Love, and like the first four, it is a smooth and delightful tour of memorable themes from the Great American Songbook, sung with radiance and heart by one of the leading exponents of popular song on today's scene. Whitmore does not sing jazz (no scatting or improvising here); she leaves that in the capable hands of ...

Album Review

Brian Eisenberg Jazz Orchestra: Pain & Beauty

Read "Pain & Beauty" reviewed by Edward Blanco

by Edward Blanco
July 23, 2023

A religious man at heart, composer/band leader and producer Brian Eisenberg leads an 18-piece big band (The Brian Eisenberg Jazz Orchestra) on a personal musical exploration on the meaning of love through the perspective of what may be beautiful, and what may seem hurtful on the very introspective and challenging Pain & Beauty. The album, as he writes, “is dedicated to that ideal of genuine love...painful yet, beautiful love." Eisenberg sets the musical bar quite high on such lofty and ...

Album Review

Dave Slonaker: Convergency

Read "Convergency" reviewed by Richard J Salvucci

by Richard J Salvucci
September 22, 2022

In December 1910, Virginia Woolf once observed, human character changed and, along with it, so did everything else. Politics, society, religion, sex, all of it, she thought, would leave the ancien regime behind. And, to a point, she was correct. Within a few years, the old world was gone, swept away by war and revolution. It was not coming back. Ever. Somehow, listening to the marvelous musical products of modern big bands, Woolf seems oddly relevant. The level ...

Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Jack Bowers

by Jack Bowers
August 22, 2022

While big-band albums generally differ, sometimes widely, in tone and temperament, there are definitive criteria by which every one may be evaluated--arrangements, performers, sound quality, sequencing and, above all, the elusive but imperative swing quotient. Dave Slonaker checks all those boxes and more on Convergency, a superlative successor to his excellent Grammy-nominated debut album, Intrada, released in 2013. To begin with, Slonaker, best known as a film and television composer, is an excellent big-band writer and arranger, ...

Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Troy Dostert

by Troy Dostert
August 3, 2022

Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned Grammy nomination, and his sophomore effort is no less accomplished, with the well-designed compositions and outstanding ensemble work that justify all the attention it ...

Album Review

Frank Macchia & Brock Avery: Rhythm Abstraction: Azure

Read "Rhythm Abstraction: Azure" reviewed by Dan McClenaghan

by Dan McClenaghan
February 2, 2020

Reedman-arranger-composer Frank Macchia didn't take the conventional route in putting his EP Rhythm Abstractions: Azure together. He didn't get a huge orchestra in one studio, pass out the charts and explain to the players what he was trying to do. What he did was pare the personnel down to a minimum and turn drummer Brock Avery loose for some serious improvisation time. Then Machia layered in a whole bunch of reeds—piccolo, flutes (alto,bass, contrabass), clarinets (alto, bass contrabass), saxophones (sopranino, ...