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Jennifer Wharton: Not a Novelty
by Dan Bilawsky
The eponymous debut from Jennifer Wharton's Bonegasm broke the mold. There are no two ways about it. And while some may look at a statement like that and cry hyperbole, history begs to differ. With rare exception, the bass trombone—a horn forever typecast as an anchor—has been marginalized. So the idea of an ensemble featuring that denizen of the depths—a band playing music specifically commissioned to hinge on it, highlight it, and showcase the playing of one of its foremost ...
Continue ReadingJon Gordon: Stranger Than Fiction
by Angelo Leonardi
Più noto come eccellente sax contralto e leader di un apprezzato quartetto, Jon Gordon torna a incidere un disco orchestrale per la ArtistShare, dopo l'album Evolution del lontano 2009. Registrato nel mezzo della pandemia, con tutte le difficoltà e restrizioni che sappiamo, il nuovo lavoro rinnova la collaborazione col trombonista e arrangiatore Alan Ferber che partecipa al progetto nel triplice ruolo di co-produttore, arrangiatore di un brano ("Havens") e solista di trombone. Il medio organico include anche il clarinetto basso ...
Continue ReadingJon Gordon: Stranger Than Fiction
by Hrayr Attarian
Saxophonist Jon Gordon's superb 13th release as a leader, Stranger Than Fiction, consists of 10 cinematic and captivating originals. Gordon leads a large ensemble of mostly Canadian musicians through his vibrantly textured compositions. The focus is more on dynamic interplay of different band members and orchestral segments than on individual expressions. There are, however, brilliantly virtuosic soloists who seamlessly emerge out of these vividly ebullient works making them even more electrifyingly alive. Opening with delightfully dissonant staccato woodwinds ...
Continue ReadingJon Gordon: Stranger Than Fiction
by Jack Bowers
New York-bred alto saxophonist Jon Gordon has come a long way since he was hailed as something of a prodigy in the mid-1980s and earned first place in the Thelonious Monk International Jazz Saxophone Competition in 1996. The music performed by Gordon's nonet on Stranger Than Fiction, we are told, “reflects [his] realization that reality takes twists and turns [that are] far more unpredictable than any author would dare write." There are indeed many twists and turns—most ...
Continue ReadingBrian Woodruff Sextet: A Centering Peace
by Jerome Wilson
The title of this release by drummer Brian Woodruff suggests a set of meditative, spiritually-focused jazz by his long-standing sextet. While that may be the underlying theme of the disc but only a couple of tracks have that actual sound. The others go off in several different directions. The album is dedicated to Woodruff's spiritual advisor, Monsignor Edward Straub, and the title track was written to celebrate his 75th birthday and his 50th Anniversary in the priesthood. It ...
Continue ReadingJoel Harrison: America at War
by Angelo Leonardi
"È tutta la vita che il mio paese conduce tragiche e futili invasioni straniere. Ho sentito che dovevo scrivere su questo fatto, infondere nella mia nuova musica la sua dolorosa eredità." Queste riflessioni aprono il nuovo disco di Joel Harrison, ritornato a sette anni di distanza da Infinite Possibility a guidare un ensemble orchestrale. La storia bellica degli Stati Uniti è piuttosto lunga: in 245 anni ha combattuto 123 conflitti militari vivendo solo 18 anni in completa pace. ...
Continue ReadingJennifer Wharton's Bonegasm: Not A Novelty
by Dan McClenaghan
The trombone came into its own as a lead and solo instrument in jazz on the shoulders of J.J. Johnson, in the early days of bebop. His Four Trombones: The Debut Recordings (Prestige, 1953) celebrated the big brass instrument with three fellow 'bone men--Kai Winding, Bennie Green and Willie Davis, all joining Johnson in a four man front line. Now Jennifer Wharton presents a four trombone summit of her own with Not A Novelty, the second outing of her group ...
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