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Jazz Articles about Airto Moreira

10
Album Review

Mike Miller: Trust

Read "Trust" reviewed by Jim Worsley


This record is more than a breath of fresh air. It is more like when you open the front door and that momentary rush of crisp wind blows in. Trust embraces that sensation and creates a limitless screen door of opportunity. Ten original and melodious compositions by Mike Miller seamlessly flow, and both sustain and cherish the feel of the moment for the duration. The magnitude of this project propelled Miller to assemble an elite group of musicians. ...

3
Album Review

Gretchen Parlato: Flor

Read "Flor" reviewed by Angelo Leonardi


Dopo un'assenza di sei anni dedicati alla maternità, Gretchen Parlato torna con un album magistrale per l'equilibrio che esprime tra ricercatezza, lirismo e intatta spinta a riformulare creativamente i brani. A capo di un nuovo organico--arricchito da Gerald Clayton al piano e tastiere, Mark Guiliana alla batteria e Airto Moreira alle percussioni e voce, in veste di ospiti--la cantante losangelina conferma in Flor la sua collocazione d'interprete assolutamente personale, che non può “temere" nulla dall'ingresso in scena delle splendide vocalist ...

14
Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Ian Patterson


It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve Miller Band in March 1970. The initiative to stage Davis at the hallowed rock venue came from CBS President Clive Davis, no doubt with ...

9
Extended Analysis

Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Doug Collette


Intensely intoxicating as much as it is wholly hypnotic, Miles Davis Live at the Fillmore becomes increasingly so through the course of its four compact discs. More than doubling the playing time of the original four-sided vinyl release, The Bootleg Series Vol. 3 posits an argument the band(s) of this era were among the finest ever led by the man with the horn. If that sounds hyperbolic, it's difficult not to rhapsodize about this archive series in general ...

3
Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Maurizio Comandini


Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato da pochi mesi e il gruppo era in forma straordinaria, a cominciare dal leader. In realtà, questi concerti erano stati immediatamente ...

27
Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by John Kelman


By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, ...


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