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Lost Tribe: Many Lifetimes
by John W. Patterson
It is good to hear more of this phenomenal jazz unit. From their debut self-titled release in 1992 to Soulfish in 1993 it was pure ecstasy for me to try to keep up with all this band's hyper-kinetic twists and turns. They could Coltrane soothe, they could play heavy metallic fusion, they would rap to jazz, they got speed funky, and even strains of Mahavishnu Orchestra could be detected. But first and foremost Lost Tribe was avant-garde cutting edge jazz. ...
Continue ReadingDavid Binney: Free To Dream
by Glenn Astarita
New York City “Downtown Scene" alto saxophonist David Binney has produced a winner here. Binney has gained some much-deserved recognition due to his dazzling virtuosity with artists such as Drew Gress, Edward Simon and the beloved hard-edged jazz-fusion band, Lost Tribe. Free To Dream is Binney's first solo effort on his newly formed Mythology Records label. Here, Binney is supported by a mini-brass section, exotic percussion, muscular rhythms and long time associate Edward Simon on the piano. Free To Dream ...
Continue ReadingLost Tribe: Many Lifetimes
by AAJ Staff
It is good to hear more of this phenomenal jazz unit. From their debut self-titled release in 1992 to Soulfish in 1993 it was pure ecstasy for me to try to keep up with all this band's hyper-kinetic twists and turns. They could Coltrane soothe, they could play heavy metallic fusion, they would rap to jazz, they got speed funky, and even strains of Mahavishnu Orchestra could be detected. But first and foremost Lost Tribe was avant-garde cutting edge jazz. ...
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