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Thomas Maintz, Aaron Parks: Duets in June
by Angelo Leonardi
L'ascolto di quest'album porta alla memoria la collaborazione tra Bill Evans e Jim Hall che produsse nel 1962 il magistrale Undercurrent e quattro anni dopo Intermodulation. Da allora è trascorso mezzo secolo, Thomas Maintz e Aaron Parks hanno distinte personalità ed escludendo la formula strumentale, non ci sono somiglianze stilistiche, né di repertorio: gli unici aspetti che sollecitano l'associazione riguardano la purezza espressiva, l'intensità dell'interplay, la sottigliezza cameristica dei percorsi e il lirismo che pervade tutti i brani. ...
Continue ReadingAaron Parks Group and Joel Ross at the SOUTH Jazz Kitchen
by Asher Wolf
Aaron Parks Group SOUTH Jazz Kitchen Philadelphia, PA May 4, 2016 I apologize in advance if the following descriptions come off as grandiose. But regarding the Aaron Parks Group, anything that doesn't walk the line of hyperbole feels like an undersell. They were one of the most exciting acts I've had the pleasure of witnessing, and I don't mean interesting or hope inspiring, but rather the type of excitement you feel after injecting ...
Continue ReadingAaron Parks Trio al Teatro Manzoni, Milano
by Paolo Peviani
Aperitivo in concerto Teatro Manzoni 10.11.2013 Da Paul Bley a Keith Jarrett, passando attraverso Misha Alperin e Bobo Stenson, fino ai nostri Stefano Battaglia e Stefano Bollani... Non c'è dubbio che Manfred Eicher, deus ex machina della casa discografica ECM, abbia buon fiuto per i pianisti. L'ultimo arrivato nella scuderia dell'etichetta bavarese è Aaron Parks, pianista di Seattle con all'attivo collaborazioni importanti (Terence Blanchard, Joshua Redman), un debutto discografico da ...
Continue ReadingAaron Parks: Arborescence
by John Kelman
Slowly but surely, over the past several years, ECM Records has forged relationships with some of New York City's most impressive musicians--no mean feat given that, despite the Big Apple no longer being the jazz mecca it once was, it certainly remains a lightning rod for some of the world's most creative musicians, ranging from trumpeter Ralph Alessi and saxophonists Tim Berne and Chris Potter, to pianists David Virelles, Jason Moran and Craig Taborn--all of whom have been represented, either ...
Continue ReadingAaron Parks: Arborescence
by AAJ Italy Staff
Arborescence è il debutto su ECM di Aaron Parks, ancor giovane pianista di Seattle venuto alla ribalta appena diciottenne nel sestetto di Terence Blanchard. Registrato in solitudine tra le rinascimentali architetture della Mechanics Hall (Worcester, Massachusetts), l'album coniuga l'acustica calda e avvolgente della storica sala concerto con la cura maniacale del suono di Mr. Eicher. Nel corso delle undici improvvisazioni presenti in Arborescence - è vero, qualche frammento si ripresenta qua e là, qualche cellula melodica funziona da possibile raccordo, ...
Continue ReadingAaron Parks: Invisible Cinema
by Laurel Gross
While he only just passed his 24th birthday in October 2008, the gifted Aaron Parks has been appreciated by New Yorkers for quite some time. He's been paying his dues in local clubs for years and has distinguished himself further--enhancing his reputation as a pianist of excellence--as a former member of Terence Blanchard's notable Flow sextet, touring and playing on three Blanchard recordings for Blue Note, including the Grammy-winning A Tale of God's Will (A Requiem for Katrina) (2007). He's ...
Continue ReadingAaron Parks: Invisible Cinema
by Chris May
Best known for his five-year tenure with trumpeter Terence Blanchard, pianist Aaron Parks is the second Blanchard graduate to debut under his own name on Blue Note in 2008. His disc follows percussionist Lionel Loueke's Karibu (Blue Note, 2008), a fitfully engaging album flawed by trying too hard. Invisible Cinema by contrast is a corker, a caveat-free fairground ride in forward-looking piano jazz winningly spiced with a little prog rock.
Parks played on three Blanchard albums--including the outstanding ...
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