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461

Album Review

Fred Anderson: Staying in the Game

Read "Staying in the Game" reviewed by Henry Smith

by Henry Smith

Tenor saxophone veteran Fred Anderson has remained a fixture on the free jazz scene since his co-founding of the AACM. Seemingly never inactive, Anderson follows up the critically acclaimed quintet album From the River to the Ocean (Thrill Jockey, 2007) with a more intimate trio outing. Featuring the previous album's bassist, Harrison Bankhead, alongside drummer Tim Daisy, the album is a true showcase for Anderson and the supple rhythm section backing him.

Opening with the lengthy ...

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547

Live Review

Ayman Fanous and Tomas Ulrich in Concert: Improvisational Excitement in Classical Music

Read "Ayman Fanous and Tomas Ulrich in Concert: Improvisational Excitement in Classical Music" reviewed by Erik R. Quick

by Erik R. Quick

Ayman Fanous and Tomas UlrichSt. Mary's Episcopal ChurchWashington D.C.May 9, 2009

Jazz performance and concert production is hardly thriving in Washington, D.C. Clubs have either closely entirely or altered programming significantly so as to focus on music deemed to have wider commercial appeal. As a result, creative improvisation is increasingly hard to find. But local guitarist Ayman Fanous has, in the last several years, assiduously produced a number of concerts featuring the solo efforts of ...

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378

Album Review

Carsten Dahl / Mads Vinding / Alex Riel: In Our Own Sweet Way

Read "In Our Own Sweet Way" reviewed by Chris Mosey

by Chris Mosey

After Paris, Copenhagen was the European refuge for American jazz musicians fleeing racial and sometimes political oppression in their homeland in the postwar years. Ben Webster is buried there (in the same cemetery as Søren Kierkegaard), Dexter Gordon and Johnny Griffin locked horns there. Such greats created a solid local scene, which continues to produce some exceedingly fine musicians. Carsten Dahl, a truly great pianist, started out modeling his playing on that of Bud Powell, active in ...

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334

Album Review

Larry Gray: 1, 2, 3...

Read "1, 2, 3..." reviewed by Matthew Warnock

by Matthew Warnock

1, 2, 3... is a masterful contemporary jazz release by Chicago jazz stalwart and bass virtuoso Larry Gray. The album is Gray's first trio record that has released under his own name, though he has performed on many as a sideman with such players as Larry Coryell and up and coming Chicago artist Zvonimir Tot. Handling the guitar duties on this album is John Moulder, who's playing pays tribute to the jazz tradition while at the same time striking new ...

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209

Album Review

J.D. Allen Trio: Shine

Read "Shine" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

The unfettered joy of listening to J.D. Allen's Shine comes from being reunited with the blues and spiritualism of modern Afro-American saxophone music. This kind of feeling and emotion all but died with John Coltrane. Arguably only a handful of players such as Pharoah Sanders, Archie Shepp and, perhaps, Dewey Redman kept those flames alive. And then there is that thing that tenor saxophonists do with their horns, namely to create an imaginary being--the saxophonist's alter ego, his personality--literally from ...

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779

Interview

The Jazz Conceptions Orchestra: The Best is Yet to Come

Read "The Jazz Conceptions Orchestra: The Best is Yet to Come" reviewed by Barbara Salter Nelson

by Barbara Salter Nelson

For many people, the bonds forged at college serve as the foundation for lifelong friendships; bonds that often keep like- minded friends committing to get together once in awhile to share passions. The Jazz Conceptions Orchestra (JCO) was created along these lines, but instead of getting together for the occasional game of golf or fishing, whenever these guys get together they put down some great music. And now, the JCO is beginning to make an important mark on ...

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261

Record Label Profile

Brooklyn Jazz Underground

Read "Brooklyn Jazz Underground" reviewed by Matthew Miller

by Matthew Miller

With a name that conjures smoky clubs in cab- forsaken neighborhoods, the approachably progressive ethnic and global appeal of Brooklyn Jazz Underground (BJU) might surprise the uninitiated. The association, which has thrived on the practical notion of collective strength and shared PR, has also served as another example of the musical microcosm its namesake borough has become. Its members share ZIP codes, but hailing from Spain, France, Denmark and Southeast Asia, the group rarely treads on common musical territory. “We're ...

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902

Interview

Chad McCullough: Playing to the Gig

Read "Chad McCullough: Playing to the Gig" reviewed by John Barron

by John Barron

Seattle trumpeter Chad McCullough has been working hard to garner a reputation in his hometown and beyond as a versatile, creative musician. McCullough has performed with a wide range of artists, including Jay Thomas, Claudio Roditi, Marc Seales, Thomas Marriott, Ingrid Jensen and Bob Florence. He's toured extensively with the Glenn Miller Orchestra in the jazz trumpet chair, and also as the band's pianist.

Since earning a master's degree in music from the University of Washington in 2005, ...

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475

Album Review

Jon Balke: Siwan

Read "Siwan" reviewed by C. Michael Bailey

by C. Michael Bailey

The competent and successful musico-cultural eutection promoted by ECM founder Manfred Eicher since the release of Jan Garbarek/Hilliard Ensemble's Officium (ECM, 1993) takes another quantum step with keyboardist Jon Balke's imaginative and far reaching Siwan. Balke enters a realm of cross-cultural pollination evolving from Officium, through that same collaboration's expanded vision on Mnemosyne (ECM, 1999) to John Potter's excellent Dowland Project outings: Care-Charming Sleep (ECM, 2001) and Romaria (ECM, 2006).

The focus of Siwan is not one of strict musical ...

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659

Multiple Reviews

Dave Stewart & Barbara Gaskin: Green and Blue / Hour Moon

Read "Dave Stewart & Barbara Gaskin: Green and Blue  / Hour Moon" reviewed by John Kelman

by John Kelman

When keyboardist Dave Stewart decided to hang up his progressive hat following a creatively but less than commercially successful run with seminal Canterbury bands Egg, Hatfield and the North and National Health—not to mention a terrific stint with drummer Bill Bruford— he reemerged a few years later with singer/partner Barbara Gaskin on a series of albums labeled as “pop music for adults." Existing fans were more than a little baffled. On albums including Up From the Dark (1985), ...

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