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Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our Coming Soon page. Read our daily album reviews.

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276

Album Review

Emanuel Ruffler: Nightflight

Read "Nightflight" reviewed by Bruce Lindsay

by Bruce Lindsay

Emanuel Ruffler keeps extremely talented company on Nightflight, the first album as leader for this German-born pianist who is now based in New York. The 11 self-penned tunes are characterized by an apparent simplicity and a propulsive rhythm, creating an immediately appealing recording. Despite his role as leader and composer Ruffler is a relatively low key presence on the album. His piano playing has style but he is well aware of the talents of his band members ...

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464

Album Review

Gerald Wilson Orchestra: Detroit

Read "Detroit" reviewed by Robert J. Robbins

by Robert J. Robbins

Commissioned by the Detroit International Jazz Festival and premiered on the occasion of the composer's 91st birthday, Gerald Wilson's six-movement “Detroit Suite" demonstrates that after nearly seven decades in the music business, the nonagenarian composer and arranger still has a great deal to offer in terms of musical creativity. Wilson spent the latter part of his teen years in the Motor City, where he studied trumpet, piano, percussion, and composition at Cass Technical High School from 1934-39, and he still ...

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914

Record Label Profile

Konnex Records

Read "Konnex Records" reviewed by Celeste Sunderland

by Celeste Sunderland

One night in the early '70s, saxophonist Trevor Watts and drummer John Stevens were playing a concert in West Berlin. After the show, a tall, elegant, German man by the name of Manfred Schiek asked if he could buy one of their records. But they didn't have one. “There was an oil crisis at the time and vinyl was expensive," Schiek explained during an interview at his home in Berlin. “In England the story was, if you brought an old ...

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440

Live Review

moira smiley & VOCO plus Teslim, Half Moon Bay, CA

Read "moira smiley & VOCO plus Teslim, Half Moon Bay, CA" reviewed by Bill Leikam

by Bill Leikam

moira smiley & VOCO + TeslimBach Dancing & Dynamite Society at the Douglas Beach House Half Moon Bay November 8, 2009

Seldom does Pete Douglas book two groups to share a concert at the Douglas Beach House (aka Bach Dancing and Dynamite Society). So on Sunday November 8, no one knew exactly how the concert would unfold. People wondered aloud whether it would be folk group moira smiley & VOCO performing the first set ...

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344

Album Review

Dave Liebman / Michael Stephans: Nomads

Read "Nomads" reviewed by John Kelman

by John Kelman

If ever there was a title to best fit Dave Liebman, it would be Nomads. Stylistically, the reedman's life has represented an endless traverse of infinite musical landscapes, ranging from freely improvised music with Australia-based pianist Mike Nock on Duologue (Birdland, 2007), and modern, open-ended mainstream with longtime musical partner, pianist Richie Beirach--heard most recently on the Mosaic box set, Pendulum: Live at the Village Vanguard (2008)--to Miles Davis-informed fusion on Back on the Corner (Tone Center, 2007) and the ...

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517

Take Five With...

Take Five With Johnny J Rivera

Read "Take Five With Johnny J Rivera" reviewed by AAJ Staff

by AAJ Staff

Meet Johnny j Rivera:Johnny (j) Rivera is a guitarist/songwriter, multi instrumentalist, and vocalist originally from Southern California, currently living in Las Vegas Nevada. He's been writing songs most his life. Some of his influences range from Stevie Wonder, Earth Wind and Fire, Heatwave, Steely Dan, Larry Carlton, Robben Ford, Paul Jackson Jr, Joe Sample, Donnie Hathaway, The Winans, Albert King, Al Jarreau, Michael Franks, The Beatles, and Miles Davis. A songwriter of instinct, Johnny draws from personal experience, ...

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292

Album Review

Michael Bellar As-Is Ensemble: Turned On Turned Up

Read "Turned On Turned Up" reviewed by Glenn Astarita

by Glenn Astarita

Fans of Medeski, Martin & Wood and the generally hip might dig the upbeat and refreshing sounds of keyboardist Michael Bellar's As-Is Ensemble. Its band members perform with notable artists when not on tour, amid previous duties as the house band for New York City's famed Blue Note club. And while the trio abides by a manifesto balanced with aggression, chops and clever song-forms, it manages to carve out an attention-grabbing and distinct music persona throughout.

The trio ...

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672

Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Chris May

by Chris May

Despite the snowballing emergence of European jazz musicians on the world stage, relatively few European jazz composers have, in 2009, made it into the global repertory, which continues to be dominated by American voices. Perhaps it always will be, and perhaps local singularities--Italian or British or Scandinavian or whatever--are in any case better treasured, rather than absorbed into a single, universal body of work. But the fact remains that a cornucopia of great “foreign" compositions remains neglected in jazz's birth ...

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513

Live Review

Joe McPhee & Fred Lonberg-Holm: Their First Duet, University of Chicago

Read "Joe McPhee & Fred Lonberg-Holm: Their First Duet, University of Chicago" reviewed by Lyn Horton

by Lyn Horton

Joe McPhee and Fred Lonberg-Holm Bond Chapel, University of ChicagoChicago, IL November 9, 2009

Saxophonist Joe McPhee and cellist Fred Lonberg-Holm have long been bandmates in Peter Brötzmann's Tentet, as well as in McPhee's Survival Unit III and in other groups formed during their mutual acquaintance. But never have the two had the opportunity to play with one another in a simple duo. The opportunity came when on November 9, immediately following several ...

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370

Album Review

Magnus Hjorth Trio: Old New Borrowed Blue

Read "Old New Borrowed Blue" reviewed by Jakob Baekgaard

by Jakob Baekgaard

The legacy of pianist Bill Evans has become so predominant among emerging pianists that it is refreshing to hear someone who shuns the late pianist's lyrical introversion in favor of a more outgoing and playful approach. This is certainly the case with Swedish pianist Magnus Hjorth, whose second album in his own name, Old New Borrowed Blue, shows an encyclopedic knowledge of jazz history, ranging from ragtime to post-bop.

Hjorth's vehicle is the trio, with his countryman Petter Eldh taking ...

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