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254

Album Review

Samo Salamon Trio feat. Michel Godard & Roberto Dani: Live!

Read "Live!" reviewed by Jakob Baekgaard

by Jakob Baekgaard

The music of Slovenian guitarist Samo Salamon encompasses a wide-ranging vision that leaves room for both subdued balladry and intense rock-outs. Still, even though there's certainly eclecticism at work in the musical poetics of this musician, who takes in influences as diverse as the gritty melodies of John Scofield and the reverb-drenched innovations of Bill Frisell, Salamon has achieved his own sound, one that combines a distinctively European folk feeling with the major streams of modern jazz guitar.

In spite ...

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336

Film Review

Marco Benevento & Friends: Live In NYC: The Sullivan Hall Residency

Read "Marco Benevento & Friends: Live In NYC: The Sullivan Hall Residency" reviewed by Chris May

by Chris May

Marco Benevento & Friends Live In NYC: The Sullivan Hall Residency The Royal Potato Family 2009

In January 2008, coinciding with the release of his monumental gumbo of retro-modern jazz, rock, pop and funk, Invisible Baby (Hyena, 2008), pianist Marco Benevento took over New York's then brand new Greenwich Village music venue, Sullivan Hall, for a series of five Thursday night gigs. Each night featured a different roster of musicians: some were ...

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378

Album Review

Anthony Braxton / Joelle Leandre: Duo (Heidelberg Loppem) 2007

Read "Duo (Heidelberg Loppem) 2007" reviewed by Glenn Astarita

by Glenn Astarita

Two masters of improvisation and innovation realign for a series of three duet pieces, spanning two discs, captured live at the Heidelberg Cafe in Belgium. Pulling out the proverbial stops as contrasts abound, Anthony Braxton switch-hits on reeds while bassist Joëlle Léandre delivers contrapuntal responses amid the duo's role-reversal undertakings.

It would normally equate to a challenge, specifically in these rather adventurous improv settings, but it's a continual and rather swerving plot, defined by Braxton and Léandre's serrated ...

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546

Live Review

European Jazz Expo in Cagliari, Sardinia

Read "European Jazz Expo in Cagliari, Sardinia" reviewed by Olga Zhuravleva

by Olga Zhuravleva

European Jazz ExpoCagliari, Sardinia November 20-22, 2009

The hot summer slowdown is finished for Sardinia. Quietness and sophisticated melancholy embraced the island and made it a perfect place for jazz.

From November 20th to 22 the Sardinian capital Cagliari hosted the annual jazz festival, known for the last five years as the European Jazz Expo. The event has an impressive history with guests like Miles Davis, Chick Corea, Horace Silver, Herbie Hancock and B.B. ...

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433

Album Review

Youn Sun Nah: Voyage

Read "Voyage" reviewed by Ian Patterson

by Ian Patterson

Although her UK debut at London's Vortex was in May 2009, South Korean singer Youn Sun Nah has been a figure on the French jazz scene since the mid '90s when she moved there to study jazz and French chanson.Voyage, her sixth release sees her deftly accompanied by some of the top names in European jazz.

One phrase into “Dancing With You" and it's clear that here is a remarkable voice. Sun Nah possesses the sensuousness of Melody Gardot, the ...

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1,692

Interview

John Medeski: Strong as Ever with MMW

Read "John Medeski: Strong as Ever with MMW" reviewed by R.J. DeLuke

by R.J. DeLuke

The Medeski, Martin & Wood band, one that has amassed followers like a snowball rolling down a mountain of wet snow since its emergence on the scene over 18 years ago, is one of those exceptional organizations that doesn't stick to playing what might be expected by its audiences. They don't play it safe, instead choosing to explore sounds, grooves, genres as the spirit moves them. And 2009 saw the spirit moving them a great deal.

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268

Album Review

Greg Reitan: Antibes

Read "Antibes" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Greg Reitan began the year with Some Other Time (Sunnyside, 2009), a spectacularly graceful record. He ends the year with another that equals--if not surpasses--the maturity of that album. Antibes is a work of exacting pianism and expansive grandeur. The record also dispels the notion that Reitan's music is an amalgam of his influences (Bill Evans and Keith Jarrett), for Reitan is a singular pianist with a technique becoming of a virtuoso of the highest order. His ...

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259

Live Review

Donny McCaslin Group at The Jazz Standard, Dec. 16, NYC

Read "Donny McCaslin Group at The Jazz Standard, Dec. 16, NYC" reviewed by Ernest Barteldes

by Ernest Barteldes

Donny McCaslin Group Jazz Standard New York, New York December 16, 2009

The music from Donny McCaslin's recent album Declaration was the basis of this evening's first set, which was part of the saxophonist's two-day stand at the Manhattan jazz club, where he appeared with his nine-piece ensemble (Ben Monder: guitar; Hans Glawischnig: bass; John Clarke: French horn; Marshall Gilkes: trombone; Ed Simon:piano; Alex “Sasha" Sipiagin: trumpet; Marcus Rojas: tuba; Adam Cruz: ...

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245

Album Review

Bobby Broom: Plays for Monk

Read "Plays for Monk" reviewed by Chris M. Slawecki

by Chris M. Slawecki

"In many ways, Monk personifies all that attracted and continues to satisfy me in my love affair with jazz music," said Bobby Broom upon releasing Plays for Monk. “The way that he, the musician, fit into the jazz landscape while at the same time standing out and apart from it; the controlled but unpredictable creative freedom he spoke with as an improviser, and the variety of feelings he could conjure up; how, as a composer, his tunes were a clear ...

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401

Album Review

Ike Sturm: JazzMass

Read "JazzMass" reviewed by Woodrow Wilkins

by Woodrow Wilkins

There are people who believe jazz, like the blues, is unholy or “devil's music." However, the spirituality of many jazz artists comes through in their writing, and bassist/composer/arranger Ike Sturm is one of them. Sturm is musical director for the jazz ministry at Saint Peter's Church in Manhattan. The institution has a tradition of weekly jazz services that memorialize such icons as Duke Ellington, John Coltrane, Miles Davis and Thelonious Monk. The church commissioned Sturm to compose a ...

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