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771

Live Review

Dutch Jazz & World Meeting 2010: December 1-3, 2010

Read "Dutch Jazz & World Meeting 2010: December 1-3, 2010" reviewed by John Kelman

by John Kelman

Dutch Jazz & World MeetingAmsterdam, The NetherlandsDecember 1-3, 2010 As difficult as it can sometimes be to appreciate how far jazz has evolved since making its first infant steps in the United States at the beginning of the 20th Century, it's equally remarkable to consider the scene in Europe. Beginning as a relative carbon copy of its partners across the Atlantic, jazz in the past fifty years inside the many countries that make up the European Union ...

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192

Album Review

Jason Robinson: Cerberus Reigning

Read "Cerberus Reigning" reviewed by Mark F. Turner

by Mark F. Turner

Legendary bassist Jaco Pastorius' classic “3 Views of a Secret" could adequately describe saxophonist Jason Robinson's three incredibly distinct recordings. Concurrent 2010 releases include The Two Faces of Janus (Cuneiform), with a tremendous ensemble featuring Drew Gress, Liberty Ellman, George Schuller, Marty Ehrlich and Rudresh Mahanthappa; and the more intimate, but equally daring duo collaboration, Cerulean Landscape (Clean Feed), with pianist Anthony Davis. The final piece to the trifecta, Cerberus Reigning , is an electro-acoustic solo project, with Robinson's saxophones ...

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496

Live Review

Riviera Maya Jazz Festival: Day Four, November 28, 2010

Read "Riviera Maya Jazz Festival: Day Four, November 28, 2010" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Day 1 | Day 2 | Day 3 | Day 4 Riviera Maya Jazz FestivalPlaya del Carmen, MexicoNovember 25-28, 2010The first three days of the 2010 Riviera Maya Jazz Festival featured local and regional Mexican musicians--the Hiram Gomez band, Troker, and Aguamala--as their respective first acts. The Festival's final night, Sunday November 28, further demonstrated the festival organizers' respect for Mexico's music, and its traditions and innovations, by presenting an all-Mexican, all-star finale.

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446

Album Review

Gina Stockton: All That I Can Bring

Read "All That I Can Bring" reviewed by C. Michael Bailey

by C. Michael Bailey

"Contemporary Christian Music" is one of those soft, descriptive classifications that is all but meaningless, save for the fact that the alleged genre needs to be described as something. Contemporary Christian Music cannot even decide what it is, or what characteristics it possesses. More conservative listeners believe that only music based directly on Holy Scripture can be called “Christian Music." Promoters and A&R personnel tend toward a more liberal definition as that position allows for more marketing options. Whatever the ...

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264

Live Review

The Latin Jazz Coalition & Conjunto Katharis: Flushing, NY December 10, 2010

Read "The Latin Jazz Coalition & Conjunto Katharis: Flushing, NY December 10, 2010" reviewed by Ernest Barteldes

by Ernest Barteldes

Latin Jazz Coalition / Conjunto KalhariDecember 10, 2010Flushing Town HallFlushing, NYUnder the leadership of trombonist/percussionist Demetrios Kastaris, the 12-piece Latin Jazz Coalition kicked off the proceedings at Flushing Town Hall with a selection of covers and original Afro-Cuban material that was very open to improvisation. All band members had an opportunity to showcase their individual talents, and during the second number, both Kastaris and second trombonist Noah Bless wandered into the audience, New Orleans-style, as ...

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151

Album Review

Radam Schwartz: Songs for the Soul

Read "Songs for the Soul" reviewed by Edward Blanco

by Edward Blanco

Hammond B3 organist/pianist Radam Schwartz has an impressive discography, appearing on over 35 albums of primarily instrumental music as both a sideman and leader. Songs for the Soul is a departure from past recordings in that it reveals his most extensive association with the vocal side of jazz to date. For this unique endeavor, Schwartz combines forces with New York vocalist Miles Griffith, along with background singers Kelsey Jillette, Cynthia Holiday, Gary Oleyar and Marcelino Feliciano. Providing the music is ...

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218

Album Review

Mats Gustafsson: Needs!

Read "Needs!" reviewed by John Eyles

by John Eyles

For anyone who has recently seen Mats Gustafsson live in concert, either with The Thing or in his own right, Needs! is likely be a surprise. In addition to his baritone and slide saxophones, here Gustafsson employs live electronics and “bug treatments." Photographs of him in action indicate that these involve miking the bell of his saxophone and then processing the output. He combines the acoustic sounds of his saxophones with the amplified sounds of the electronic devices, mixing them ...

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731

Interview

Charles Pillow: Sound Crafter

Read "Charles Pillow: Sound Crafter" reviewed by Victor L. Schermer

by Victor L. Schermer

Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional.He has worked with groups, vocalists, and leaders as varied as Dave Liebman, Michael Brecker, Jay Z, Broadway pit orchestras, Mariah Carey and ...

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344

Live Review

Riviera Maya Jazz Festival: Day Three, November 27, 2010

Read "Riviera Maya Jazz Festival: Day Three, November 27, 2010" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Day 1 | Day 2 | Day 3 | Day 4 Riviera Maya Jazz FestivalPlaya del Carmen, MexicoNovember 25-28, 2010Day three of the Riviera Maya Jazz Festival was opened by Aguamala, anchored by one of Mexico's most famous and longstanding drummers (and Musical Director for the Festival), Fernando Toussaint. Together since 2004, Aguamala has served as frequent host band for previous Riviera Maya festivals.Aguamala performed several tunes from 13:20 (Intolerancia, 2010), filled ...

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258

Album Review

Tohpati Ethnomission: Save The Planet

Read "Save The Planet" reviewed by Mark Redlefsen

by Mark Redlefsen

In the world of guitar-driven jazz fusion, laced with world music, it has typically been a westerner who learns and ensconces themselves in another ethnic culture; processing, packaging, and exporting a digestible product back for listeners to experience. The absorption of jazz, rock, and fusion in Indonesia has produced some exciting results over the years, with original groups such as SimakDialog, and its virtuoso guitarist, Tohpati. His solo group, Ethnomission, puts jazz fusion and world music on notice with the ...

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