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Roberta Piket: Sides, Colors
by Wilbert Sostre
Some people describe music in terms of colors. Composers like Duke Ellington used them in song titles like Black, Brown And Beige," Black And Tan Fantasy" and Mood Indigo," to describe the mood and feeling of his music, Sides, Colors is a perfect title for this release by pianist Roberta Piket, as she demonstrates her different musical sides and colors. Piket shows her classical, lyrical side on Billy's Ballad" and Bill Evans Laurie," while the classical feel ...
Continue Reading...The Lou Grassi Po Band with Marshall Allen: Live At The Knitting Factory Volume 1
by Glenn Astarita
Drummer Lou Grassi, with his progressive jazz and improvisational luminaries, slams matters into high gear during this gutsy 2000 recording, captured at New York City's Knitting Factory. Historically, Grassi is known for his driving passion and prominent leadership, while almost always engaging with superior musicians. Here, the frontline musicians lock horns, via intervallic spikes and scorching dialogues. RePoZest" presents an evolving vista, commencing with introspective musings between trumpeter Paul Smoker's linear phrasings and flautist Marshall Allen's cosmological lines. ...
Continue Reading...Essential CTI: Part 2
by Douglas Payne
Part 1 | Part 2 | Part 3 Founded by legendary producer Creed Taylor in 1970, CTI Records achieved a legacy that is unrivaled in jazz. CTI produced records that were not only commercially successful but many that were superbly and artistically satisfying. Some of them are immortal. This is the second of three such sets devoted to the Essential CTI" recordings. TrackNameTimeArtistAlbum1 So What9:20George BensonBeyond The Blue Horizon2 The Rite Of Spring [Album ...
Continue Reading...Piron's New Orleans Orchestra: Piron's New Orleans Orchestra
by Andrew J. Sammut
Listeners accustomed to the wail and stomp of early New Orleans jazz might be surprised to hear the whisper and glide of Piron's New Orleans Orchestra. While famed pioneers such as Louis Armstrong, Sidney Bechet, and Johnny Dodds spoke from the earthy tradition of the outdoor parade, Piron's orchestra illustrated the smooth sounds of indoor entertainment. Not that Piron's band couldn't turn up the heat when it wanted; it was just a slow burn rather than a sudden bonfire.
Continue Reading...Russ Gershon: Time Traveler, Four Million Years Later
by Ian Patterson
Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report--the last of the great '70s fusion bands--was coming to an end. In those days, the orchestras of Cab Calloway, Buddy Rich and Sun Ra were still touring, and you could also ...
Continue Reading...Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011
by John Kelman
Polar Jazz / Arctic MoodLongyearbyen,Svalbard, Norway February 3-7, 2011 Flying into Longyearbyen is a surreal experience. It's a two-day trip from North America--one day to get to Oslo, Norway, and the second to make the final trek above the Arctic Circle to the islands of Svalbard, about halfway between the northernmost tip of mainland Norway and the North Pole, on which the town is situated. Despite flying generally west from Norway (but farther north ...
Continue Reading...Either/Orchestra: Mood Music for Time Travelers
by Ian Patterson
As saxophonist/founder Russ Gershon has noted, the 25-year history of the Either/Orchestra constitutes a quarter of jazz's eventful history. The changes in this large ensemble's music in part reflect wider trends and at the same time are the results of an organic evolution as members have come and gone. In the early years, Gershon plumbed the jazz cannon for repertory in addition to composing original material. However, arrangements of songs by Bob Dylan, Bing Crosby and Robert Fripp pointed to ...
Continue Reading...Jason Robinson: The Two Faces of Janus
by Glenn Astarita
In Roman mythology, Janus signified the god of entryways and beginnings, amid two heads that looked to the past and future. On The Two Faces of Janus, however, saxophonist Jason Robinson revealsa multi-contextual and many-sided stance, while maximizing the talents of his estimable support system. Robinson soars to a zenith during his alliances with reed man Marty Ehrlich and alto saxophonist Rudresh Mahanthappa on select works. But with the core ensemble, Robinson scores a highly literate set of ...
Continue Reading...Nicholas Urie: My Garden
by Mark Corroto
First thoughts of accompanying the poetry of Charles Bukowski to music are predisposed to the techniques of Tom Waits and his post-beatnik circus. Composer/arranger Nicholas Urie takes another path, instead, orchestrating his 12-piece big band towards an alternative rendition and deeper understanding.Like his previous Excerpts From An Online Dating Service (Red Piano, 2009) ,where he put personal ads to music, Urie employs vocalist Christine Correa to sometimes sing, and sometimes speak the poet laureate of American lowlife's words. ...
Continue Reading...Ralph Bowen: Power Play
by Bruce Lindsay
With over 20 years experience as a recording artist and composer, saxophonist Ralph Bowen has a mastery of straight-ahead jazz that is immediately apparent on Power Play, his third album for the Posi-Tone label. Bowen's first two Posi-Tone releases, 2009's Dedicated and 2010's Due Reverence were quintet recordings. For Power Play, he trims down to an all-new quartet lineup, but it still swings. On the album's opener, K. D.'s Blues," Bowen jumps straight in with a hard-edged ...
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