Jazz Articles
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Tim Berne / Jim Black / Nels Cline: The Veil
by Troy Collins
Recorded live at The Stone in New York City on a sweltering July evening in 2009, The Veil is the debut of BB&C (also known as The Sons of Champignon), an acronym for alto saxophonist Tim Berne, drummer Jim Black and guitarist Nels Cline--veteran improvisers with a long history of collaboration. Cline first recorded with Berne in the early '80s, while Black was a member of Berne's revered '90s era Bloodcount quartet. Unfolding as a single uninterrupted long-form improvisation and ...
Continue Reading...Art Pepper: Blues for the Fisherman
by C. Michael Bailey
Art PepperBlues for the FishermanWidow's Taste2011 Laurie Pepper has been the lightning rod for the music of her late husband, Art Pepper, since the saxophonist's death at 56 in 1982. She took proper control of his musical legacy in 1981 on the advice of the couple's accountant, transferring ownership of the saxophonist's works and contracts to the entity Arthur Pepper Music Inc., where, as intellectual assets, the corpus was protected from ...
Continue Reading...Orrin Evans: Freedom
by Dan Bilawsky
Philadelphia was a symbol of freedom long before Elton John ever penned his well-known tribute to tennis legend Billy Jean King. The city was a hotspot for American revolutionaries when the British were running the show, and Philadelphia played host to the First Continental Congress and the Second Continental Congress, which signed the Declaration of Independence. This city has come to represent the ideals of freedom within American society, and its rich jazz history is a reflection of the city's ...
Continue Reading...Take Five With Rhinoceri Trio
by AAJ Staff
Meet Rhinoceri Trio: The Rhinoceri trio, named for the most ponderous and terrifying beast of the primeval forest, both ponders and terrifies. Firmly rooted in the jazz tradition, the group's repertoire spans and blends a tapestry of influences from Duke Ellington's jungle jazz, Eastern European folk music, Ornette Coleman, Bach, Wagner and minimalism. Given the history of its members, the Rhinoceri Trio's wide musical pallet is hardly surprising. Cooney and Mervine are ...
Continue Reading...Patty Ascher: Bossa, Jazz ‘n’ Samba
by C. Michael Bailey
Brazilian singer Patty Ascher has an embarrassment of talent riches. She is an accomplished singer and songwriter who displays both talents convincingly on Bossa, Jazz 'n' Samba. Supported by a superb band, Ascher displays an impressive depth and breadth of lyric invention carefully arranged by an array of composers. Her voice is a well-balanced mezzo, creamy and rich with a smooth and silky texture. Among the ten originals on Bossa, Jazz 'n' Samba is Ascher's Booking Time," ...
Continue Reading...Orrin Evans: Freedom
by Bruce Lindsay
Orrin Evans' first three Posi-Tone releases formed a diverse but high-quality trilogy: the piano trio (Faith In Action, 2010); the freer, more left-field small band (Tarbaby's End Of Fear, 2010); and the hard-blowing and exciting big band (Captain Black Big Band, 2011). Hot on their heels comes Freedom, Evans' fourth album in less than two years. The quality remains high. Freedom harks back to the lineup and style of Faith In Action. Evans' home town of Philadelphia ...
Continue Reading...Andy Snitzer: Traveler
by Jeff Winbush
Even without uttering a single word, music can convey many moods, and Traveler, Andy Snitzer's first album in a decade, finds the saxophonist in a reflective mood. The degree of restraint and reserve in Snitzer's playing runs counter to many of his contemporaries, where loud and long soloing is standard operating procedure.If overplaying can be excessive, underplaying is not always a virtue. Snitzer occasionally takes a few moments in the spotlight, but opts to be one of the ...
Continue Reading...Jamie Ruben: Groove-O-Ly-O-Scene
by Florence Wetzel
Guitarist Jamie Ruben's Groove-O-Ly-O-Scene is an absolute treat for the ears. There's something deliciously mellow and laidback about this music, and at the risk of using a word that brings terror to many jazz fans, it is wonderfully smooth. Wait, don't stop reading! One dictionary defines smooth" as even and uninterrupted in flow or flight." That's exactly how this music rolls: it possesses a marvelously spacious ambience, woven through with fantastic grooves. In fact, groove jazz" is the ...
Continue Reading...David S. Ware / Cooper-Moore / William Parker / Muhammad Ali: Planetary Unknown
by Troy Collins
Renowned saxophonist David S. Ware continues to explore new avenues following his successful kidney transplant two years ago. Since then, Ware released Saturnian (AUM Fidelity, 2009), a stoic solo set, and Onecept (AUM Fidelity, 2010), a bristling trio excursion with bassist William Parker and drummer Warren Smith. Planetary Unknown surpasses even these notable recordings, featuring an all-star quartet whose members' combined experience encapsulates the last four decades of free jazz history.Parker has been Ware's primary colleague for almost ...
Continue Reading...Nancy Walker: New Hieroglyphics
by John Kelman
Amidst an overcrowded community, even the cream of the crop has difficulty getting heard beyond their own locales. A regular visitor to relatively nearby Ottawa, Toronto-based Nancy Walker is an Ottawa Jazz Festival regular as part of John Geggie's trio at the late night jam sessions--also participating on the bassist's recent Across the Sky (Plunge, 2010), an at times lyrical, other times incendiary modern mainstream date featuring better-known saxophonist Donny McCaslin. The pianist has been delivering albums under her own ...
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