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Satoko Fujii Orchestra New York: ETO
by Troy Collins
In addition to an ever-changing array of small combos, tireless Japanese pianist Satoko Fujii continues to lead four international big bands, each based in a different city (Kobe, Nagoya, New York and Tokyo). Of the four, her New York based Orchestra is both her oldest and most prolific, having maintained virtually the same line-up since 1997. ETO, dedicated to her husband, trumpeter Natsuki Tamura on the eve of his sixtieth birthday, is the Orchestra's eighth recording.A milestone event ...
Continue Reading...Jan Kopinski's Reflektor: Mirrors
by Chris May
Jan Kopinski's ReflektorMirrors33 Jazz2011 Tenor saxophonist Jan Kopinski is best known for his pioneering improv-meets-funk band, Pinksi Zoo. Formed in the mid-1980s, Pinski Zoo burst onto the emerging British delinquent-jazz scene around the same time as Rip Rig & Panic, then fronted by multi-instrumentalist Don Cherry's adopted daughter, Neneh. Rip Rig & Panic sweetened its avant-garde jazz content with guitars, songs with hooks, some savvy rock and roll image building, and ...
Continue Reading...Sasha Masakowski and Musical Playground: Wishes
by Dan Bilawsky
Growing up in the Big Easy can be a blessing or a burden. The musical streets of New Orleans were paved with the glorious sounds of Louis Armstrong and Sidney Bechet, second line parades, and brass bands galore, making it a heavenly place for those wishing to soak their ears in the sounds of jazz from long ago, but that might not be the path for everybody nurtured in good old NOLA. Some artists want to reach beyond the confines ...
Continue Reading...Jeff Hackworth: Night Owl
by Edward Blanco
New York saxophonist Jeff Hackworth--who performs in the style of jazz greats like Gene Ammons, David “Fathead" Newman and Stanley Turrentine--keeps the tradition alive on Night Owl. Leaving the standard piano trio behind, Hackworth recaptures the saxophone/organ blend made so popular by Lou Donaldson and takes it a step further by adding vibraphone to the mix. With organ master Radam Schwartz and vibraphonist Jay Hoggard replacing the standard piano/guitar combo, the quartet shuffles to a distinctly new groove.A ...
Continue Reading...North Sea Jazz Festival, July 8-10, 2011
by R.J. DeLuke
North Sea Jazz FestivalJuly 8-10, 2011AhoyRotterdam, The Netherlands The North Sea Jazz Festival in the Netherlands is staggering in size, touted as the world's largest indoor jazz festival and that's certainly a good bet. With 13 stages running from late afternoon until the early morning hours, it's far more than a smorgasbord. More like an avalanche, but one where the music fan happily stands at the bottom of the mountain.Artists of all statures ...
Continue Reading...Stanley Turrentine: Don't Mess With Mister T.
by Dan Bilawsky
When the CTI label originally released tenor saxophonist Stanley Turrentine's Don't Mess With Mister T. in 1973, it managed to bring music to the public that served as a sign of the times, while also helping to define the times. The soul within Turrentine's horn had been at the center of his earlier successes for the label--Sugar (CTI, 1970), Salt Song (CTI, 1971) and Cherry (CTI, 1972)--but it really rose to the surface and reached its peak with this release. ...
Continue Reading...Linley Hamilton: Taylor Made
by Bruce Lindsay
Trumpeter Linley Hamilton is a central figure in the burgeoning Northern Ireland jazz scene. He's an experienced musician, with a résumé that includes work with Van Morrison, Ken Peplowski and Jean Toussaint; being a broadcaster, whose Radio Ulster After Midnight program showcases new jazz; a writer and producer. Above all, he's a man with a genuine love of jazz and a desire to support and develop the music. It takes no more than a few bars of Without A Song," ...
Continue Reading...Thelonious Monk: The Definitive Thelonious Monk on Prestige and Riverside
by Kevin Davis
One fundamental paradox of compilation albums is the way so many good ones ultimately render themselves useless. Consider how many hits packages sit untouched on the shelves of aficionados, doomed to a lifetime of neglect simply for having the gall to work efficiently as the conversion tools they were intended to be. Consequently, a great compilation requires a functionality beyond simply being a commercially-endorsed mix CD. The Definitive Thelonious Monk on Prestige and Riverside spans the great pianist/composer's most revered ...
Continue Reading...Ray Charles: Rare Genius
by Chris May
Concord's reissue of vocalist and keyboardist Ray Charles' albums for ABC-Paramount, the label he moved to from Atlantic in 1959, is a mixed bag. It includes two winners, The Genius Hits The Road (1960) and Modern Sounds In Country Music Vols. 1 & 2 (1962), a so-so concept album, A Message From The People (1973)--and, in Live In Concert (1965), a stone masterpiece, Charles' all-round best live album. This edition is made essential listening by the inclusion of six previously ...
Continue Reading...Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a treasure trove of sketches, arrangements and compositions by the great Gil Evans in several collections, and many of them have never been heard before, ...
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