Jazz Articles
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Ed Reed: Ed Reed - I'm A Shy Guy: A Tribute to the King Cole Trio & Their Music
by C. Michael Bailey
San Francisco vocalist Ed Reed is a bona fide contemporary of West Coast jazz luminaries: Art Pepper, Frank Morgan, Dexter Gordon, Wardell Gray and Hampton Hawes. Unlike that august group, Reed remains to tell his story, and by proxy, theirs' in the bargain. Like this same group, drugs (and in the case of Gray, murder) suspended Reed's musical career. Unlike Pepper and Morgan, who staged much heralded late-career comebacks, Reed did not first record until 2007 at age 78. Neither ...
Continue Reading...Billy Mintz: Mintz Quartet
by Hrayr Attarian
What is remarkable about drummer's Billy Mintz's debut recording Mintz Quartet is his masterful versatility on his instrument. That is no surprise as Mintz, an in demand sideman, has played with a wide variety of musicians during his career ranging from disco diva Gloria Gaynor to saxophonists Lee Konitz and Charles Lloyd. A well-known educator and writer, Mintz also showcases his sophisticated compositional skills on this intriguing album.Ugly Beautiful" for example, is an intense and free flowing piece. ...
Continue Reading...Love... Sorrow... Jazz... and Death
by Mort Weiss
When we think of an art form, the tendency is to look in every and all directions except inward--wherein all answers lie, although shielded and hidden from one's self and any that choose to be within your sphere of understanding and passion. Why must it take years of self- study and searching the myriad avenues and paths that lead directly to one's innermost feelings of hope, love, fear and despair? And reaching that destination, only to find that every hope ...
Continue Reading...Manuel Valera & New Cuban Express: Expectativas
by Edward Blanco
A follow up to pianist Manuel Valera's 2013 Grammy--nominated New Cuban Express, his seventh album as leader, Expectativas continues the melding of Afro-Cuban rhythms with the modern fusion jazz sound fusing the two into a new form of jazz best described as modern Latin fusion." Consisting of eleven originals and one cover, the project is a testament to Valera's compositional talents and his vision for the future Latin Jazz. As such, the approach is not all Latin-tinged as evidenced by ...
Continue Reading...Gavin Templeton: In Series
by Glenn Astarita
Alto saxophonist Gavin Templeton has become a pivotal force in the L.A. progressive jazz scene and it's easily discernible, given his strong improvisational faculties, resonating tone, and penchant for bridging conventional means into the outside schema of the jazz vernacular. On his second solo release for Nine Winds Records, he embeds rock riffs, variable tempos, and odd-metered unison choruses with guitarist Perry Smith and a host of mood-evoking thematic episodes via these multicolored pieces. The artists conclude the ...
Continue Reading...Jack DeJohnette: Painting With Sticks
by George Colligan
The following interview is reprinted from George Colligan's blog, Jazztruth.The name Jack DeJohnette is synonymous with modern jazz drumming. Many know him for his years spent with the Keith Jarrett Trio, but he first came to prominence with Charles Lloyd and Miles Davis in the '60s. He's always in demand as a sideman--although you wouldn't call Jack DeJohnette to merely be a sideman--his musical contribution to any project is such that he is always a collaborator. He has ...
Continue Reading...Alexis Cuadrado: A Bassist in New York
by Franz A. Matzner
Bassist, bandleader, and innovative composer Alexis Cuadrado has made a name for himself over the last decade with a series of ambitious albums that push the envelope of jazz composition. His latest work A Lorca Soundscape (Sunnyside, 2013) may very well represent the most challenging piece yet to emerge from his restive mind. As thought provoking as it is musically stirring, the album puts to music the poetry of Federico García Lorca's seminal collection A Poet in New York," finding ...
Continue Reading...Philip Clouts Quartet: The Hour Of Pearl
by Bruce Lindsay
The Hour Of Pearl--a title taken from John Steinbeck's Cannery Row--is the second album from the UK-based Philip Clouts Quartet. A melodic collection of original tunes, it combines lightness of touch with a rhythmic sensibility: a winning combination.Pianist and composer Clouts was born in Cape Town. Although he moved to the UK in his infancy, the family home was filled with the music of his homeland, Abdullah Ibrahim and Chris McGregor proving to be especially influential on Clouts' ...
Continue Reading...Ian Torres Big Band: January
by Jack Bowers
In the interest of brevity, the name of Chicago-based trumpeter Ian Torres' debut album as shown above has been abridged. For the record, the complete title is January: The Birth and Development of the Ian Torres Big Band. The Birth" is depicted in the first five numbers, recorded in 2008-09, Development" in the last half-dozen, recorded in 2013. The album as a whole is an homage to Torres' inspiration, cheerleader, biggest supporter and fan"--his mother, Janis, who died suddenly in ...
Continue Reading...Roberto Magris: Cannonball Funk 'n Friends / One Night in with Hope . . . Vol. 2
by Jack Bowers
Pianist Roberto Magris, who logs so much time in studios that he should be awarded Frequent Recording points, is back with two more albums, the first by a quintet with alto Jim Mair sitting in for Julian “Cannonball" Adderley and trumpeter Hermon Mehari for Cannonball's brother, Nat, the second a trio session billed as Vol. 2 in a tribute to the late pianist Elmo Hope but containing no music written by its dedicatee (well, the album's title does read and ...
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