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For the Artists: Critical Writing, Volume 2
by Greg Masters
Miles Davis: The Complete On the Corner Sessions Sony-Legacy Music, October 2007 There is no architecture and no build-up. Just a vivid, uninterrupted succession of colors, rhythms and moods." Arnold Schoenberg, describing his Five Pieces for Orchestra in a letter to Richard Strauss, 1909, quoted in The Rest is Noise, Alex Ross (Farrar, Straus and Giroux, 2007) The music Miles Davis forged in the first half of the 1970s, his so-called electric period," is ...
Continue Reading...Joshua Redman: Trios Live
by Mark F. Turner
Upholding the legacy of his namesake, saxophonist Joshua Redman--son of the great Dewey Redman--has continued to develop as a leader in jazz since the 1990's. He's created a name as a consummate artist through rigorous work that's involved a previous directorship of SFJAZZ, constant tours and over a dozen recordings. At times criticized for not emulating his father's passion, recordings such as his 2013 jazz-with-strings project Walking Shadows (Nonesuch) resulted in a beautiful studio release that was at times unengaging. ...
Continue Reading...Omer Klein: Theme and Variations
by Robin Arends
One of the numerous talents that Israel has produced in the last decade is pianist Omer Klein. He is a much sought-after guest at various music venues in Europe, Israel and the U.S and last April he had his first tour in Canada. Klein, grew up in Netanya, Israel. After he received a special scholarship Klein moved to Boston where he attended the New England Conservatory. In 2006 he moved to New York where he quickly became a notable member ...
Continue Reading...Kosi: Pictures of Us
by Roger Farbey
Wild is the Wind" opens with a graceful flugelhorn solo by Angeleisha Trumpetess" Rodgers, a welcome change of tack for a vocal-based album with the singularly-named Kosi only entering three minutes into the number. I Already Know" continues the slow ballad tempo of the opener, but with the added benefit of a magnetic hook line of the repeated angst-ridden title, at once moving and extremely effective. Brianna," a soulful ballad, is both musically and lyrically haunting. In Duke ...
Continue Reading...Rodrigo Amado Motion Trio meetings with Peter Evans
by Eyal Hareuveni
Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent musicians with New York-based innovative trumpeter Peter Evans for two burning sessions, live and in the studio. Both releases highlight Amado and his trio ...
Continue Reading...Tony Kadleck Big Band: Around The Horn
by Nicholas F. Mondello
In assessing baseball talent, the scouts' description five-tool talent" describes a hitter who can do it all--run, field, hit for average, hit with power and throw. When a musician such as Tony Kadleck steps into the recording batter's box as leader and with work presented such as Around the Horn, the description not only fits like a glove, but, the musical umpires surely will be finger-twirling" and calling it a Grand Slam. Kadleck, long a key fixture ...
Continue Reading...Simon Phillips: Protocol II
by Ben Scholz
It has been 14 years since the release of Vantage Point, Simon Phillips' last project as a leader, and nearly 26 years since his debut album Protocol. In these years, Phillips has become a drummer to the stars, recording and performing with the likes of Jeff Beck, The Who, and Judas Priest. In '92, following the death of founding member Jeff Porcaro, Phillips was asked to fill the drum chair for Toto. He would go on to occupy this position ...
Continue Reading...David Strother: Azul
by Florence Wetzel
Azul is an aural meditation by electric violinist David Strother that covers a wide swathe of emotions and delves fearlessly into the human condition. The word azul means blue" in Spanish, and indeed the songs explore many shades of this emotional color. The blues also refer to loss: during the editing and mixing phases of the EP, Strother learned about the death of bassist and composer Charlie Haden, a musician who influenced him deeply, so the EP also serves as ...
Continue Reading...Circum Grand Orchestra: 12
by Eyal Hareuveni
12, the fourth album of the French, Lille-based Circum Grand Orchestra and flagship of the Muzzix musicians collective, marks a significant change in the Orchestra's history. After being led for a decade by guitarist Olivier Benoit, now new artistic director of the prestigious Orchestre National Jazz, they are guided by bassist Christophe Hache, who wrote each composition on this release. The move from a six-string leader to a four-string guide did not affect the restless, inclusive spirit of this orchestra. ...
Continue Reading...Thad Jones: Detroit-New York Junction – Blue Note 1513
by Marc Davis
Before he became famous as the leader of a big band, Thad Jones was a trumpet player, and a damn good one. In 1956, Jones led his first jazz group. It was a small sextet--unlike his later, more celebrated ensemble, co-led by Mel Lewis. This short album, which chronicles that session, has only five songs and runs just 34 minutes. There are no alternate takes. It's a pleasant album, but not a great one. There is ...
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