Jazz Articles
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The Rempis Percussion Quartet: Cash And Carry
by Mark Corroto
Besides his regular duo performances with fellow Chicagoans drummer Tim Daisy or Frank Rosaly, The Rempis Percussion Quartet is saxophonist Dave Rempis' longest standing active group. To mark their tenth anniversary in 2014, they met at Chicago's Hungry Brain and recorded two lengthy pieces of music.Success for each of these players has limited their time together. While Rempis, Daisy and Rosaly all hail from the Windy City, Norwegian bassist Ingebrigt Håker Flaten lives in Austin, Texas, and is ...
Continue Reading...Tim Gill & the Tim Gill All-Stars: Small Batch Bourbon
by Edward Blanco
The second album from trumpeter, vocalist and big band leader Tim Gill & the Tim Gill All-Stars, Small Batch Bourbon features spirited arrangements of fifteen tunes from the American Songbook, the pop idiom and other classic standards in showcasing good old-fashioned straight ahead, traditional big band music at its best. One thing is for sure, the swinging music on this recording was produced having one fun-filled frolicking good time with some pieces highlighted by some shouting and comedic interchange between ...
Continue Reading...Benny Lackner Trio: Siskiyou
by Dan McClenaghan
The photo on the main page of Benny Lackner's website shows the pianist with one hand on an acoustic piano, the other plying the keys of a laptop computer. That's where his muse has taken him-into a very contemporary electro/acoustic piano trio mix with drummer Matthieu Chazarec and bassist Jerome Regard. Siskiyou is Lackner's fifth trio outing, and his second with this particular line-up, after 2012's Cachuma (BMH Productions). It is his best and most focused outing. The ...
Continue Reading...Steve Gadd: Consummate Drummer
by R.J. DeLuke
It might be easier to list who drummer Steve Gadd hasn't played with since he got a pair of drum sticks at the age of three at his home near Rochester, NY, right up to the age of 70, where this year his tour of duty includes Eric Clapton, James Taylor and his own band. Gadd is one of the great maintainers of the groove and one who can also play his ass off with jazz musicians like Chick Corea, ...
Continue Reading...George Crowley: Can Of Worms
by Bruce Lindsay
A tin full of slimy, wriggly, things bursts open, scaring the oddly mismatched young couple. It's not your usual jazz album cover art, but it suits the title of the second album from young UK saxophonist George Crowley--Can Of Worms--and Crowley carries on the motif with further creepy-crawlies on the inside of the sleeve. Not that such visuals give too much away about the music--Crowley keeps that as a (pleasant) surprise. Crowley's band (which also seems to be ...
Continue Reading...John Zoltek Stirs Up Jazz Fusion Storm in Montana
by Mark Holston
The John Zoltek Quartet O'Shaughnessey Center Jazz Night with the Maestro Whitefish, Montana May 16, 2015 Watching guitarist John Zoltek bound ecstatically around the stage like one of his rock guitar heroes from the '70s, it was perhaps difficult for some in the audience of about 200 to reconcile that only two weeks earlier, his other, dark-side- of-the-moon music persona had commanded a local stage in a radically different fashion. That's when the 57-year ...
Continue Reading...Sam Trapchak: Land Grab
by Mark F. Turner
Sam Trapchak's debut as a leader, Lollipopocalypse (Raw Toast Records, 2011) highlighted a double-bassist with formidable abilities and forward thinking music performed by an exceptional crew of like-minded musicians. Land Grab furthers his exploits of jazz off-the-beaten-path. This time around, the music delves into freer and more adventurous designs with plenty of room for the band to explore Trapchak's left-of-center arrangements. Tom Chang's gnarly electric guitar brings that jazz/rock edge whereas saxophonist Greg Ward's fluid alto brings ...
Continue Reading...Hildegard: Hildegard
by C. Michael Bailey
If audio releases were ships following one another and I was standing on the deck of Sasha Masakowski's debut recording, Wishes (Hypersoul, 2011), I don't think I could have seen as far away as needed to spy her follow-up Hildegard. Certainly not without a telescope. Like Wishes which Masakowski made with her ensemble, the Musical Playground, the artist inaugurates a new ensemble, Hildegard. The ensemble name is potent with meaning to the singer, whose middle name is Hildegard, and that ...
Continue Reading...Jazz Cruising: A Recipe For Joy
by Gloria Krolak
Blend well: One mid-sized cruise ship with crew 100 or more jazz legends, go-to guys and young lions About 2,000 diverse jazz fans Assorted performance venues, about half a dozen One big band A small army of piano tuners Ports of call (optional) Top with musician interviews and jam sessions Best enjoyed hot Destinations hardly mattered on the annual Jazz Cruise hosted by Entertainment Cruise Productions this past January. In ...
Continue Reading...Last Exit: Iron Path
by Mark Corroto
In saxophonist Peter Brötzmann's interview memoir We Thought We Could Change The World (Wolke Verlag Hofheim, 2014) he spoke about meeting Sonny Sharrock in Berlin 1969, when the guitarist was working for Herbie Mann. Brotzmann never forgot the meeting, and when bassist Bill Laswell conceived the idea of Last Exit in the mid-1980s, Sharrock was on the wish list. So, too, was Ronald Shannon Jackson, the former drummer for Albert Ayler in the 1960s, he had some kind of voodoo," ...
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