Jazz Articles
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Dmitri Matheny: Flugelhorn Evangelist
by David Becker
The flugelhorn can be a difficult mistress. Players may find themselves endlessly explaining the differences between their axe and the trumpet, why their instrument seldom sounds like Miles Davis in a bad mood and why most horn players treat it as a specialty tool. But when someone with the authority of bebop legend and flugelhorn champion Art Farmer, tells you stick with something, you tend to listen. Dmitri Matheny, one of Farmer's last private students and his most ...
Continue Reading...Tom Griesgraber and Bert Lams at Kennett Flash
by Geno Thackara
Tom Griesgraber and Bert Lams Kennett Flash Kennett Square, PA August 27, 2016 A good piece of music can paint a picture, evoke feelings, tell a story or possibly, in the right hands, do all those things together. This is certainly what happens when Chapman Stickist Tom Griesgraber meets up with guitarist Bert Lams (the stage--left member of the California Guitar Trio) in among their other respective gigs. They weave a sophisticated musical tapestry: old-world ...
Continue Reading...Charlie Rich: Every Time You Touch Me (I Get High) / Silver Linings / Take Me / Rollin' With The Flow
by Jakob Baekgaard
There is an anecdote about the legendary singer Elvis Presley, who walked into the office of Sun Records to do an audition. He was asked by receptionist Marion Keisker what kind of singer he was and Presley answered: I sing all kinds." The same could be said about another Sun Records-affiliate, the pianist, composer and singer, Charlie Rich. Rich never got as famous as Presley, even though he was just as talented, but he released a steady ...
Continue Reading...Massimo Discepoli/Daniel Barbiero: An Eclipse Of Images
by Mark Corroto
For the jazz listener, operating outside the canon can be a daunting experience. Once you dig 4/4 time, syncopation, swing, cool jazz and hard bop, it is difficult to appreciate other genres. Pop is formulaic and overproduced, and classical, too rigid. Electronics, fahgettaboudit. Machines cannot replace the human capability for improvisation. True, but what if there exists a synthesis of the human and the machine? Then, yes, the electroacoustic can be as enlightening to the jazz listener as the tradition.
Continue Reading...Dave Stryker: Eight Track II
by Jack Bowers
Eight Track II, Dave Stryker's twenty-seventh album as a leader, could be subtitled Stryker Strikes Again," as it is a pleasing sequel to 2014's well-received Eight Track, on which the guitarist's working trio and guest vibraphonist Stefon Harris revisited pop songs from the '70s and rearranged them in a hip new groove. Eight Track II offers more of the same with the trio (Stryker, organist Jared Gold, drummer McClenty Hunter) allied this time with the similarly proficient vibraphonist Steve Nelson, ...
Continue Reading...Natalie Cressman and Mike Bono: Etchings in Amber
by C. Michael Bailey
The admonition, Youth is wasted on the young" is neither accurate nor applicable to Natalie Cressman. Cressman, a vocalist/trombonist/composer/arranger is a modern day Renaissance woman who wears many hats and all of them beautifully. She is a standing member of the Trey Anastasio Band, as well as Jesus on the Mainline. Cressman has recorded two previous CDs: Unfolding (Self Produced, 2012) and Turn the Sea (Self Produced, 2014), both I found as exceptional as they were different from one another.
Continue Reading...Tony Monaco: Taking Jazz Organ to the Summit
by C. Andrew Hovan
Columbus, Ohio native Tony Monaco is primed and ready to place jazz organ in a whole new spotlight. Although he has been a playing musician for most of his life, it has been during the past sixteen years that he has made the biggest strides as an artist. A gifted educator with a unique approach to instruction, Monaco recently sat down to discuss his past experiences and to promote a major event that he has spearheaded with the help of ...
Continue Reading...Peter Ponzol and Abbey Rader: It's Time
by Hrayr Attarian
Reedman Peter Ponzol not only designs and makes unique mouthpieces for various saxophones he is also an imaginative improviser with a singular style. He and intrepid drummer Abbey Rader have a long history of collaboration spanning over four decades. On their 2016 It's Time they perform 11 intimate, original duets that are full of sublime mysticism and showcase individual virtuosity and seamless camaraderie.Rader masterfully blends sparse chimes and reverberating cymbals with silent pauses as he sets a Zen ...
Continue Reading...Fidel Morales: Omío
by James Nadal
There is a saying, that Cuba and Puerto Rico are two wings from the same dove. This could not be more evident than in the musical collaborations and cultural exchanges which have historically united both islands, and their people. Fidel Morales is a native Cuban who since 2006 has secured the drum chair in the Jazz and Afro-Caribbean Music Program at the Music Conservatory of Puerto Rico, a prestigious position, in an island replete with drummers and percussionists.
Continue Reading...Prasanna: All Terrain Guitar
by Glenn Astarita
As a solo artist, Prasanna (Raga Metal Conversations, Raga Bop Trio) doesn't record that often, but when he does, it's usually an impressive musical statement, incited by his ferocious licks and unique convergence of Indian Carnatic music with a Western muse. For example, check out his previous outing, which is an East-West tribute to Jimi Hendrix --Electric Ganesha Land (2006). With an all-star lineup featuring trumpeter Dave Douglas, pianist Vijay Iyer, alto saxophonists, David Binney and Rudresh Mahanthappa performing on ...
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