Jazz Articles
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Erroll Garner: Ready Take One
by Dan McClenaghan
Erroll Garner (1923-1977) played the piano like all was well with the world, with a flashy and elegant panache. And sometimes that's just what we need. With a swinging style that bubbled up from the stride and ragtime traditions, and nudged into the bop arena, Garner's was an ebullient sound--virtuosic and embellished with ornamental phrasings and splashes of sparkling colors. So, discovery of new Garner music, of the highest quality, is reason to celebrate. Ready Take ...
Continue Reading...Duke Pearson: WAHOO!
by Greg Simmons
Duke Pearson occupied an unusual position within Blue Note Record's roster of artists. In addition to recording as both leader and sideman he also served as the label's A&R man, following in the footsteps of Ike Quebec. Pearson also served as the arranger on many albums, including sessions--Stanley Turrentine's Rough 'n' Tumble, comes to mind--where other pianists took over the keys. Pearson's own WAHOO! carries an exuberant title for what turns out to be a pretty laid back ...
Continue Reading...Andrew Vogt: For Free
by Hrayr Attarian
Bassist Andrew Vogt's engaging EP, the entirely improvised For Free, serves as a teaser for two of his upcoming 2017 recordings. The tracks on For Free are from the same sessions that resulted in the above mentioned The AV Club and Awakening, but they are not included on either of them. The spontaneously created music is not, like many other collective blowing sessions, filled with unbridled energy and dissonance. It is indeed quite accessible with overlapping hypnotic refrains ...
Continue Reading...Jungle Fire: Jambú
by Joe Gatto
Ever since they released their debut, Tropicoso, Jungle Fire has left me hungry for more of their sabroso Latin Funk. It was the Funkish best album of 2014, and now one of my go-to favorite records. Finally, they've released the follow up on Nacional Records...and it's just as good as the first one! Jambú continues with caliente Latin rhythms, and Jungle Fire also shows off scorching guitar playing, and blistering brass throughout--in addition to their incendiary percussion storm. ...
Continue Reading...Kronos Festival 2017
by Harry S. Pariser
Kronos Quartet SFJAZZ Kronos Festival 2017 San Francisco, CA February 4-6, 2017 I'd started playing string quartets when I was 12, and one day when I was 14, I was gazing at a map of the world and suddenly realized that all the quartet music I'd ever heard--Haydn, Mozart, Beethoven, Schubert--came from a single city: Vienna. A simple question came to me: 'What did music from other cities and countries sound like?' A door ...
Continue Reading...Niculin Janett Quartet (feat. Rich Perry): No Parking Any Time
by Matthew Aquiline
Zurich-based alto saxophonist and composer Niculin Janett, in the naming of his quartet's debut album, encapsulated the essence of his music with an otherwise vexatious phrase that regularly victimizes most city dwellers: No Parking Any Time. Although irritating for motorists, an ordinance prohibiting parking in terms of music, especially jazz, would seemingly stimulate perpetual movement and growth. Uniting under this theme of motion, Janett's quartet slices the brake lines and speeds ahead, depositing an inspired set of meandering music along ...
Continue Reading...Roger Garfitt, Nikki Iles, John Williams Octet: In All My Holy Mountain
by Roger Farbey
The amalgamation of poetry with jazz is not a new concept. Jack Kerouac was reading his words accompanied by Steve Allen on piano on the album Poetry For The Beat Generation way back in 1959 and over the water in 1963 The Michael Garrick Trio with Joe Harriott and Shake Keane released the EP Blues For The Lonely which featured Jeremy Robson reciting his poems over Garrick's music. There were even Poetry and Jazz concerts in the UK during the ...
Continue Reading...Satoko Fujii: Invisible Hand
by Dan McClenaghan
In Satoko Fujii's extensive discography--about eighty releases, including recordings by several big bands and a variety a small combo groups--solo piano outings are scarce. There was Sketches (NatSat Records, 2004); and Gen Himmel (Libra Records, 2013), and not much else. Until now, with a Invisible Hand, a double CD set, recorded live at the jazz club Cortez, in Mito, Japan. Set 1 (disc 1), features Fujii's explorations in free improvisation. In contrast to her ensemble music--often explosive and ...
Continue Reading...Satoko Fujii: Invisible Hand
by Budd Kopman
Pianist and composer Satoko Fujii, otherwise known by the cognoscenti as the Ellington of free jazz" and musical citizen of the world," has produced an enormous body of work as a leader, co-leader or sideman that now numbers around 80 CDs in many configurations ranging from solo to big band. After spending even a short time listening to her oeuvre, her style, as varied as it is over the different formats and through the years, becomes immediately recognizable as Fujii." ...
Continue Reading...Chicago II (Steven Wilson Remix)
by John Kelman
It's rare that an opportunity presents itself to directly compare a high resolution remaster with a high resolution remix, but with last year's Quadio (Rhino) box set containing Blu Ray Audio versions (at 24-bit/192KHz) of its first nine studio recordings (including, curiously, a completely superfluous, early Greatest Hits package) and the recent, single-disc reissue of Chicago II, featuring a brand new stereo mix by remix go-to-guy, Porcupine Tree founder and now-successful solo artist Steven Wilson, there's a chance to do ...
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