Jazz Articles
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Jeff Lorber Fusion: Prototype
by Jeff Winbush
Fusion. Is there a dirtier word to the refined ears of the jazz connoisseur? For them the sound of their sacred music mashed up with low-brow rock or common R n' B rhythms must be as harsh and annoying as sharpened nails dragging across a blackboard. Well, suck it up, buttercups, because Prototype is nothing if not Jeff Lorber and his crew of merrymakers rocking and rolling and funkin' it up as bad they wanna be. The core ...
Continue Reading...NEA Dismantling: Let's Do The Time Warp Again
by Homer Jackson
In a response to the recent local and national actions demanding that President Trump rescind his proposal to dismantle the NEA/NEH/IMLS, I feel like I'm in a sorta twisted, time-warp. Twenty years ago, in the midst of the 1990s, the very same debate to decimate the NEA by a Republican-empowered Congress took place. Lots of news stories, factoids and even mythology about the benefits and/or wasted resources concerning the Arts and Arts Education clogged the air waves. After ...
Continue Reading...Amanda Monaco: Glitter
by Dan Bilawsky
The multi-talented Mae West once said that personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is." West, of course, thrived in a different era, worked in different formats, and was more than likely addressing another artistic discipline entirely with that specific statement. But those remarks still apply here. In fact, everything in there--minus the orchestra pit and footlights--is really dead-on. Guitarist ...
Continue Reading...Glass @ 80: Philip Glass & Foday Musa Suso with Jeffrey Zeigler and Asher Delerme
by Peter Jurew
Philip Glass National Sawdust Brooklyn, NY March 12, 2017 On their own, National Sawdust and World Music Institute are two smartly run non-profit cultural organizations that produce wonderful programming for smart, loyal audiences. Together, the two can be dynamic co-conspirators in the effort to stage the kind of riveting, genre-bending artistic expression that can transcend borders and begin to salve the collective wounds inflicted by our sorry times. Such was the case in December when ...
Continue Reading...Trish Clowes: My Iris
by Phil Barnes
There's an energy and a focus about this, Clowes fourth album for UK indie Basho records, that suggests a creative breakthrough. My Iris has kept that restlessness and love of music irrespective of genre apparent in Clowes earlier work, but feels a better constructed programme where the stylistic shifts are organic developments that blend naturally into the set-up of the compositions. Jazz is the core, but the breadth that comes from listening widely lifts this above the herd.On ...
Continue Reading...Francois Carrier: The Joy of Being
by John Sharpe
Canadian reedman Francois Carrier and drummer Michel Lambert enjoy a fertile alliance. They first met back in 1998, when they invited the great Dewey Redman to join them. Since then they've waxed no fewer than 12 discs either in duet or together with other guests and collaborators. On The Joy Of Being they team up with Polish bassist Rafal Mazur, for the second time after Unknowable (NotTwo, 2016), in a live date from the esteemed Alchemia Club in Krakow. Together ...
Continue Reading...Antonio Adolfo: Hybrido - From Rio To Wayne Shorter
by Roger Farbey
With well over thirty albums to his name, Brazilian composer and pianist Antonio Adolfo has now conjured up a really attractive paean to the master saxophonist and composer Wayne Shorter. The selection of tracks is excellent because it clearly demonstrates just how key a figure Shorter is to jazz. It doesn't replicate the 1988 Blue Note collection The Best Of Wayne Shorter but does include three numbers from that album. Deluge" offers a warm ensemble-led invocation of this ...
Continue Reading...Mr. Sipp: Knock A Hole In It
by James Nadal
Castro Coleman has an extensive and impressive resume as a guitarist and producer in the gospel genre, having appeared, in a variety of guises, on over fifty records. In 2013, he reinvented himself as Mr. Sipp, diving headfirst into the blues scene, producing It's My Guitar, the following year, as a result of his own efforts. He was already associated with Malaco Records through his gospel work, and in 2015, released Mississippi Blues Child, for that label, to wide acclaim, ...
Continue Reading...Babel Med Music 2017
by Martin Longley
Babel Med Music 2017 Marseille, France March 16-18, 2017 Babel Med Music is at once a public festival, a conference and a trade fair, possessing the capacity to be experienced on multiple levels, as the ratios of these aspects are juggled by the individual attendee. Its thrust is primarily towards global sounds, rootsy and ethnically-inclined, from purist into fusion, but mostly the latter. This year, there has been an attempt to include jazz as ...
Continue Reading...Manuel Valera Trio: The Seasons
by Troy Dostert
Although Manuel Valera originally staked his claim to fame as a Latin jazz" pianist, it's fair to say that he has sought to transcend the constraints imposed by that label. On this release, the second by his trio with bassist Hans Glawischnig and drummer E.J. Strickland, Valera displays just as much interest in drawing from the musical worlds of classical and pop, refracted through the general prism of post-bop, as anything immediately identifiable as Latin" jazz. With a well-developed group ...
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