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221
Album Review

Fat Cat Big Band: Face

Read "Face" reviewed by Karla Cornejo Villavicencio


Face is an album with layers. Each of the ten tracks offers a nuanced explication of anticipation, heartbreak and spirituality. The glistening veneer of giddiness and celebration is attractive and reviving. But if you listen closely, there's also yearning and loneliness and a grasping for spiritual fulfillment. The entire album is soulful in the way some popular, accessible poets are soulful--you respond viscerally to the beauty of the art and only careful revisits will teach you how to appreciate it ...

362
Album Review

Fat Cat Big Band: Face

Read "Face" reviewed by Edward Blanco


The house band of New York's Fat Cat jazz club in the West Village, The Fat Cat Big Band, finally delivers the last piece of its trilogy project. Face is produced from a 2008, two-night recording session of thirty-one original charts, from which the group's first two albums--Meditations On the War For Whose Great God is the Most High / You Are God (Smalls, 2009) and Angels Praying for Freedom (Smalls, 2009)--were released simultaneously. The eleven-member light ensemble, the brainchild ...

450
Album Review

Dan Aran: Breathing

Read "Breathing" reviewed by Bridget A. Arnwine


When a CD is released, one of its most revealing aspects--and that of the artist's mindset during the recording process--is the title that has been assigned. With a title like Breathing, there are several things that can be presupposed: first, maybe the artist recorded the album in a stiflingly hot space and the title was chosen for its irony; second, perhaps making the music was as effortless a process as breathing; or third, it's possible that the process of creating ...

256
Album Review

Dan Aran: Breathing

Read "Breathing" reviewed by David Adler


Dan Aran's Breathing arrived with a short, dour note from Luke Kaven, head of Smalls Records, on the shaky future of indie-label jazz. That's not news and yet Breathing underscores the stakes involved for artists whose work is too fine to go undocumented. Aran, an Israeli-born drummer, is such an artist. Breathing is very much a jazz record but not a straightforward band date. There are many musicians on the roster, some playing only small roles, although Aran ...

231
Album Review

Adam Birnbaum: Travels

Read "Travels" reviewed by Christopher Shoe


Travels is the long awaited debut album for one of the younger voices in jazz piano. The term debut, however, is ill suited for someone like Adam Birnbaum, who has spent his short career opening for, and performing with, some of the better-known names in the industry such as saxophonist Greg Osby and pianist Brad Mehldau. As a result, the music presented in this album reflects a well thought-out, technically proficient, and quite simply, talented pianist who is at the ...

352
Album Review

Omer Klein: Heart Beats

Read "Heart Beats" reviewed by Jim Santella


Considering the rhythmic spark that freshens this program, it is fitting that Omer Klein's solo piano album begins with a drum solo. Sitting down at the drum set, he introduces his forte with hands on drums and a personalized muffle that contains the basic building blocks of life: Heart Beats. Elsewhere, he spends his time at the piano working up daydreams and reveries that float impressions closely identified with his song titles. “Alma" and “Ship of Fools" rely on simplicity ...

298
Album Review

Fat Cat Big Band: Meditations On The War...

Read "Meditations On The War..." reviewed by Mark Corroto


What makes a great big band record? Is it the writing or the arranging? Or maybe it is the playing of the musicians, which of course is the product of both the writing and the arranging.

Certainly a big band (like, say, a quartet) produces great music when it performs regularly as a working unit. For composer/arranger/guitarist Jade Synstelien, the opportunity to present big band jazz every week at New York's Fat Cat jazz club to upwards of ...

230
Album Review

Adam Birnbaum: Travels

Read "Travels" reviewed by Marcia Hillman


Pianist Adam Birnbaum gets around a lot, both geographically and musically--touring West Africa, for example, as part of the Rhythm Road program. Here however, he and his traveling companions--Sharel Cassity (alto and soprano saxophone), Joe Sanders (bass) and Rodney Green (drums)--take a musical journey through material mostly composed by the pianist. Birnbaum's credentials are impressive. He studied at the New England Conservatory of Music's Preparatory School, graduated from Juilliard's Jazz Studies inaugural class and has won numerous ...

386
Album Review

Omer Klein: Introducing Omer Klein

Read "Introducing Omer Klein" reviewed by Elliott Simon


New York's Smalls club has been the launching pad for an inordinate amount of jazz artists that belies its diminutive square footage. One segment of their territory is an Israeli-American jazz connection that has produced a culture of premier artists who have gone on to influence the broader jazz community. Pianist Omer Klein is part of a second wave of these musicians who mix virtuosity, world music sensibility and melodic flair to affect a global sound. Omer ...

219
Album Review

Eric McPherson: Continuum

Read "Continuum" reviewed by Jim Santella


Drummer Eric McPherson leads a creative ensemble on this eclectic program for the free transmission of ideas. He's grown out of deep experience with the late legends Jackie McLean and Andrew Hill. Tradition remains intact as his ensemble interprets pieces by the former and bassist Richard Davis, while several original compositions power the drummer and his partners solidly. Abraham Burton joins on saxophones and flute, adding an alluring voice. When they team with bassist John Hebert--McPherson's rhythm mate from Hill's ...


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