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Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our Coming Soon page. Read our daily album reviews.

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185

Album Review

Larry Vuckovich: Somethin' Special

Read "Somethin' Special" reviewed by Bruce Lindsay

by Bruce Lindsay

Pianist Larry Vuckovich made his recording debut as a leader with Blue Balkan (Inner City Records, 1980), although his playing career began in the '50s, after he arrived in the United States from his native Yugoslavia as a teenager. His recorded output as a leader has been relatively sparse--around a dozen albums--but he's carved out a successful career as a sideman, most notably in a 25-year relationship with singer Jon Hendricks. On Somethin' Special, Vuckovich and his ...

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243

Album Review

Larry Vuckovich: High Wall: A Real Life Film Noir

Read "High Wall: A Real Life Film Noir" reviewed by Woodrow Wilkins

by Woodrow Wilkins

Sequels are all too common in movies--so much so that rather than have distinctive titles, many simply add a sequential number to the original name. In music, however, a thematic sequel is rare. But the Larry Vuckovich Trio attempts to capitalize on the acclaimed Street Scene (Tetrachord, 2006) with High Wall: Real Life Film Noir. Vuckovich is a native of Kotor, Yugoslavia, who came to the United States at a time when jazz was one of the most ...

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204

Album Review

Larry Vuckovich: Street Scene

Read "Street Scene" reviewed by Ken Dryden

by Ken Dryden

Larry Vuckovich hasn't been recorded nearly often enough as a leader since his 1980 Inner City debut Blue Balkan, though the Balkan native's Street Scene is clearly one of his finest efforts. Although he had been using horns on recent projects, Vuckovich decided to put more focus on the piano, opting for what is primarily a trio date with bassist Larry Grenadier and drummer Akira Tana. Vuckovich takes a fresh look at several overlooked gems. His approach ...

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245

Album Review

Larry Vuckovich: Street Scene

Read "Street Scene" reviewed by Mark F. Turner

by Mark F. Turner

From the vibrant history of New York's 52nd Street to the spirited boulevard performance of a New Orleans marching band, the street sounds of jazz have been a celebration of life. This heartfelt exuberance can also be heard on this release by West Coast pianist Larry Vuckovich. With an impressive musical career that has flourished since coming to San Francisco in 1951, Vuckovich has performed with countless artists and has produced a number of noteworthy releases, including ...

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245

Album Review

Josh Workman: Jumpin' at the Border

Read "Jumpin' at the Border" reviewed by John Kelman

by John Kelman

Guitarist Josh Workman may have spent his time on both the New York and Bay Area scenes, and has honed a fine mainstream sound in the ensuing years, but what separates him from the plethora of mainstream guitarists out there trying to make a mark is his remarkable breadth of style. Jumpin' at the Border is nothing short of an entertaining history lesson, with Workman and a host of supporting characters taking the listener across a number of borders and ...

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221

Album Review

Josh Workman: Jumpin' at the Border

Read "Jumpin' at the Border" reviewed by Dan McClenaghan

by Dan McClenaghan

Guitarist Josh Workman's Jumpin' at the Border swings into that rare “I don't get enough of..." category. I don't get enough of his gypsy style with the Hot Club of San Francisco ("Kali Sara"); I don't get enough of his boppin' (Sippin' at Bell's); I don't get enough of Kim Nalley's bluesy and seductive vocals ("I Can't Face the Music/I Want a little Boy" and “You're Drivin' Me Crazy"); I don't get enough of his Brazilian sound (Andre de Sapato ...

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127

Album Review

Josh Workman: Jumpin

Read "Jumpin" reviewed by Michael P. Gladstone

by Michael P. Gladstone

The debut recording of the aptly named guitarist Josh Workman is indeed a highlight of this year. There are endorsements on the cover by jazz plectrists Jim Hall, Gene Bertoncini, and Peter Bernstein, some of the best guitarists on the scene. Josh Workman is a Bay Area resident who returned to San Francisco in the mid-'90s after spending time in the New York area. He has previously recorded with Larry Vuckovich, Indigo Swing, and the Jazz Passengers.

Jumpin' ...

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119

Album Review

Josh Workman: Jumpin' At the Border

Read "Jumpin' At the Border" reviewed by Mark F. Turner

by Mark F. Turner

From the sounds of Josh Workman's debut release, he could very well be a guitar Renaissance man. His new release covers a lot of ground in jazz styles ranging from bop, Latin, and Brazilian to gypsy and even blues. The music recalls the greats--Django, Bandolim, Dizzy, Ella, Pass, Vaughan, Ellington, Bird, and others. While it might sound like a bit of a stretch, the California based guitarist's new CD, Jumpin' At the Border, is an extremely rewarding release that incorporates ...

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176

Album Review

Larry Vuckovich/Jon Hendricks: Reunion

Read "Reunion" reviewed by Mark F. Turner

by Mark F. Turner

Two venerable kings of swing, pianist Larry Vuckovich and vocalist Jon Hendricks, reunite on Vuckovich’s latest recording, Reunion. Vuckovich’s career began in 1959 with a Lester Young influenced tenor player Brew Moore, who was a notable saxophonist and friend of Charlie Parker. Vuckovich’s recent recordings Young at Heart and Blue Balkan: Then and Now prove his musical longevity. Jon Hendricks has been called the “Father of Vocalese” and a jazz vocal innovator who has performed with jazz greats Art Blakey, ...

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217

Album Review

Larry Vuckovich: Blue Balkan: Then and Now

Read "Blue Balkan: Then and Now" reviewed by Mark F. Turner

by Mark F. Turner

The true test of good jazz is its ability to withstand time. Whether it's a decade or a millennium; good music is always refreshing and moving whenever heard. Jazz pianist Larry Vuckovich's recording Blue Balkan was recorded in 1980 and featured world inspired music with a stellar cast of musicians. Critically acclaimed, it was hailed for its diverse talent and global influences. It has recently been re-released with over thirty minutes of new music and still proves ...

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