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Miles Osland / Bill Anschell Trio: An Old Speckled Hen at Snapes Malting
by Jack Bowers
As Miles Osland says in the liner notes, Old Speckled Hen represents his “coming out” as a tenor saxophonist (he’s usually heard on alto, at least on recordings). As is the case on alto, he prefers doing things his way, assuming a stance that often is less than conventional if not unsparingly radical. While he never completely abandons customary melodies or rhythms, Osland stretches the boundaries in ways that might leave the more conservative listener unmoved. His “English Suite,” for ...
Continue ReadingMiles Osland: An Old Speckled Hen At Snapes Malting
by Jim Santella
University of Kentucky jazz professor Miles Osland's third recording as a leader combines his lyrical saxophone phrasing with the rhythm section of pianist Bill Anschell, bassist Neal Starkey, and drummer Woody Williams. Anschell and Williams are two-thirds of Nnenna Freelon's latest rhythm section. The parallel between Osland's lyricism and the well-known singer's is worth considering: both are capable of displaying lovely sounds as well as stirring up the improvisational pot whenever they feel the need. The unusual title for this ...
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