Home » Jazz Articles » Album Review » Miles Osland: An Old Speckled Hen At Snapes Malting
Miles Osland: An Old Speckled Hen At Snapes Malting
On tenor, especially on "Chelsea Bridge," Osland evokes Ben Webster with an expressive lyrical charm and a deep resonant tone. On alto, such as on the title track, he uses the brighter timbre to infuse a spirited, blues-based charm. The leader adds variety to the session with soprano for Anschell's "One More Mile" and flute for "Jazz At The Cliff." As the quartet performs pianist Bill Evans' "Peri's Scope," more time is dedicated to Anschell's keyboard style, which features a powerful, deliberate left hand and rapid, seamless right hand. Starkey takes an energetic bass solo on "Coffee In the Crypt" ("The Crypt" is a coffee shop) and drummer Williams trades fours on "Jazz At The Cliff" ("The Cliff" is a nightclub).
As all responsible teachers would like to do, Osland introduces one of his students on this recording. Bryan Murray performs two brief solo tenor saxophone pieces, "Hillside Dr." and "Reflections," with impeccable range control and an ideal tone. (You can get more information about this new release from Miles Osland's web site athttp://www.saxophone.org/miles/miles.html or from the record label at Open Loop Records, P.O. Box 206, Medfield, Massachusetts 02052.
Track Listing
Red Reflections; Interlude #1; One More Mile; Chelsea Bridge; English Suite: I. An Old Speckled Hen At Snapes Malting; II. Coffee In The Crypt; Interlude #2; III. Jazz At The Cliff; Solo Saxophone #1 (Hillside Dr.); One For Wayne; Interlude #3; Peri's Scope; Interlude #4; Watch Your Step; Solo Saxophone #2.
Personnel
Miles Osland
saxophoneAlbum information
Title: An Old Speckled Hen At Snapes Malting | Year Released: 1998 | Record Label: Open Loop
About Miles Osland
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






