Jazz Articles

Natural Information Society: Since Time is Gravity

by Danen Jobe
May 11, 2023

The concept of trance is one of the oldest in the world. Many older music forms embraced trance for their rituals. One is the Gnawa musical tradition originating in Kano, Nigeria and Morocco, which uses double and triple notes repeated sometimes for hours to induce a religious state while the singer sings stories of spirits. It is played on a gimbri (aka sintir or hajhuj), a three stringed instrument featuring one short and two long goat gut strings over a ...

Jeff Parker: Slight Freedom

by Dave Wayne
December 10, 2016

One is tempted to think of Jeff Parker as the first guitar anti-hero. He's a subtle player, first and foremost, not given to showy pyrotechnics and rapid-fire flights of plectral fancy. His chameleonic, almost self-effacing, presence on recordings by Tortoise, Joey DeFrancesco, Isotope 217, Fred Anderson, the Brian Blade Fellowship, Peter Erskine, Nicole Mitchell, Yo La Tengo, Hamid Drake, Joshua Redman, Scott Amendola, George Lewis and countless others is startling for its sheer stylistic diversity. Yet, Parker, unlike pretty much ...

Khan Jamal - Human Arts Ensemble: Drumdance to the Motherland

by Francis Lo Kee
March 28, 2007

This is a re-release of a record that came out on the independent Philadelphia-based record label, Dogtown (slang for the Germantown section of Philadelphia where many of the city's musicians lived). It is a unique a view into an under-recognized musician and an important period in creative music. Besides being a composer and improvising vibraphonist (among other instruments), Khan Jamal is a sincere, exciting player whose music has elements of melody, harmony and rhythm that communicate over ...

John Blum Astrogeny Quartet: Astrogeny

by Clifford Allen
October 9, 2006

Bassist William Parker is known for his telepathic collaborations with percussionists; of late, his work with Hamid Drake has become an in-demand support system. Unfortunately not as well known or historically revered was his longtime partnership with free-percussion architect Denis Charles, which lasted from the '70s until Charles' death in 1998.

Recordings such as Parker's Through Acceptance of the Mystery Peace (Centering/Eremite) and In Order to Survive (Black Saint), clarinetist Peter Kuhn's Livin' Right (Big City) and Rob Brown's Breath ...

Fred Anderson/Hamid Drake/William Parker: Blue Winter

by Michael Davis
November 29, 2005

This record is a joy. A surprise it isn't. These three men have overlapping histories of development and collaboration of such depth that when they convene nowadays, the results are always inspired. One of Hamid Drake's early mentors was AACM mainstay Fred Anderson, who decided to stay home in Chicago, tend bar, and keep his connections to the muse wide open. Later, Drake connected up with William Parker, and they've played on dozens of excellent records over the past few ...

Fred Anderson: Blue Winter

by Kurt Gottschalk
September 16, 2005

If it wasn't one already, Fred Anderson's trio with Hamid Drake and William Parker can rightly be considered a supergroup. Anderson was named the first Vision Festival Lifetime Recognition honoree last month, and if such awards were given, Drake and Parker would surely have shared the MVP trophy. While the three have worked together before--notably in quartet with Kidd Jordan--this is their first trio recording.Blue Winter also may be Anderson's definitive release, at least thus far. He's made ...

Alan Silva & William Parker: A Hero

by Michael McCaw
September 4, 2005

Alan Silva and William Parker collectively inform much of the role and possibilities of the acoustic bass that have been developed since the 1970s. From participating in Cecil Taylor-led ensembles and loft scenes to recording and performing some of the most challenging and rewarding music over the past thirty-some odd years, they have a storied and interwoven history. Consequently, an album of Parker/Silva duets could potentially be a historic moment. And while the results documented on A Hero's Welcome: Pieces ...

Fred Anderson: Blue Winter

by Michael McCaw
August 23, 2005

Listening to Fred Anderson can sometimes be akin to listening to a sage or prophet. Wordless history and wisdom simply pour from the bell of his horn, allowing him to communicate with listeners on a different level than most other musicians. Recorded on December 12, 2004, this two-CD, nearly 150-minute complete performance with William Parker and Hamid Drake speaks on many levels.Since Anderson's decision to return to music full time in the nineties (and still run ...

Allen/Drake/Jordan/Parker/Silva: The All-Star Game

by Jeff Stockton
October 19, 2003

Very discreetly on the back of The All-Star Game 's black and white digipak packaging reads "Vol. II of the Silva/Parker Duos," and it's this collaboration that distinguishes this live jam session from other free jazz quintet workouts. William Parker's unwavering commitment to swing and rhythmic flexibility, paired with Alan Silva's original sense of time and unerring flair for the grand gesture, complement and counterbalance these same qualities in the dueling horn players, Kidd Jordan and Marshall Allen. Jordan's tenor ...

Jemeel Moondoc and Denis Charles: We Don't

by Clifford Allen
October 4, 2003

The duo recording is one of the most open windows available into the nature of improvisation; its give and take or “discussive" aspects are often made very clear by two players involved in musical conversation. And nowhere are melody and rhythm so tightly balanced as they often are in a saxophone-and-drums duo. Coltrane’s last and finest flights were with Rashied Ali on Interstellar Space ; Ali and tenorist Frank Lowe met a few years later to record the blistering classic ...