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McCoy Tyner: Time for Tyner
by John Kelman
With the release of the latest batch of Rudy Van Gelder Blue Note reissues comes the opportunity to hear vibraphonist Bobby Hutcherson on two sessions that demonstrate just how flexible he is--something that continues to define him to this day on projects like the recently-released SFJazz Collective. But unlike SFJazz, which is a true cooperative ensemble, we're talking about Hutcherson the sideman on the '64 date that would become pianist Andrew Hill's Judgement, and here, on pianist McCoy Tyner's '68 ...
read moreMcCoy Tyner: Tender Moments
by Donald Elfman
Now 66 years old, McCoy Tyner has made countless albums and become an elder statesman of jazz. He is certainly best known as the pianist in the transformational John Coltrane Quartet of the '60s, but it was with Blue Note recordings like this one from 1967, recently reissued in remastered form, that he revealed his personality as a composer, arranger, and soloist.Tender Moments was one of Tyner's first major explorations of the world of colors and textures available ...
read moreMcCoy Tyner: Tender Moments
by Norman Weinstein
This is the first, and arguably, the finest big band album the distinguished pianist ever recorded. Six horns are utilized, with the neglected James Spaulding alternating on flute and alto sax along with tenor saxophonist Bennie Maupin, trombonist Julian Priester, trumpeter Lee Morgan, and the exotic horns, with Bob Northern on French horn and Howard Johnson on tuba. There are six Tyner originals gracing the frustratingly brief album (38 minutes). But repeated listening reveals something very subtle and seductive about ...
read moreCedar Walton: Three Sundays In The Seventies
by AAJ Staff
Label M launched its new enterprise with a stunning live and previously unreleased concert by Stan Getz at the Famous Ballroom in Baltimore. With more than 200 tapes recorded by Baltimore's Left Bank Jazz Society legally in its possession, the label continues to remaster and enhance the tapes from a home recorder that captured the spirit of the concerts. In some respects, the Society recorded during what has become a golden age for some of the greatest musicians in jazz.
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