Home » Jazz Articles » Briggan Krauss

Jazz Articles about Briggan Krauss

Album Review

Satoko Fujii Orchestra New York: Entity

Read "Entity" reviewed by Neri Pollastri


Undicesimo album per l'Orchestra New York di Satoko Fujii, qui composta di tredici elementi, dei quali ben nove già presenti nel primo lavoro, South Wind, risalente al lontano 1997. Il disco è registrato nel maggio del 2019 ed è uscito già lo scorso anno, ma merita egualmente grande attenzione, in quanto si tratta di un lavoro di primissimo livello. Né poteva essere diversamente, considerando non solo la qualità media, altissima, delle produzioni della musicista giapponese, ma anche l'organico straordinario della ...

3
Album Review

Dom Minasi: Eight Hands One Mind

Read "Eight Hands One Mind" reviewed by Hrayr Attarian


Restlessly innovative, guitarist Dom Minasi is a stalwart of the creative music scene. A brilliant improviser and composer, Minasi deftly utilizes his inventive ideas as launching points for his equally exciting extemporizations. On the unique Eight Hands One Mind, Minasi joins three other intrepid guitarists for a fiery and poignant tribute to another trailblazer, the late guitarist Bern Nix. The others in the group are the master of prepared guitar Hans Tammen, the virtuoso Harvey Valdes and the ...

10
Album Review

Satoko Fujii Orchestra New York: Entity

Read "Entity" reviewed by Karl Ackermann


As she did in 2019, pianist/composer Satoko Fujii—an artist at home in many formations—opens the new decade with an orchestra recording. Entity, from Fujii's Orchestra New York, is the eleventh release from the ensemble that has remained largely intact for almost twenty-three years. It is an all-star collective that includes saxophonists Oscar Noriega, Ellery Eskelin and Tony Malaby, trumpeters Natsuki Tamura and Herb Robertson, guitarist Nels Cline and drummer Ches Smith. Entity has its moments of tranquility but ...

377
Album Review

Briggan Krauss' H-Alpha: Red Sphere

Read "Red Sphere" reviewed by Sean Patrick Fitzell


Guttural saxophone bleats demand attention amid the drum whorls and electronic washes. After the initial blast, the horn recedes as clipped drum bursts and metallic effects create a halting groove that elicits more wails. The dynamic shifts and manufactured form from chaos of “Sun" typify Red Sphere by H-Alpha--saxophonist Briggan Krauss' improvising trio with laptop artist Ikue Mori and drummer Jim Black. Best known as trumpeter Steven Bernstein's sparring partner in Sexmob and for his ongoing collaborations ...

647
Album Review

Bill Frisell: Unspeakable

Read "Unspeakable" reviewed by John Kelman


Some artists spend an entire lifetime within a narrow genre, honing their skill and working at stretching the boundaries of that style, while others transcend all definitions and labels, creating a music that defies categorization. Such is the case with guitarist Bill Frisell, who over a twenty-five year career has contributed to everything from the Nordic cool of Jan Garbarek's quartet to the downtown edge of John Zorn's Naked City. On his own records he has explored diverse landscapes including ...

113
Album Review

Wayne Horvitz/Tucker Martine: Mylab

Read "Mylab" reviewed by Mark Corroto


For Wayne Horvitz and Tucker Martine, the pair known as Mylab, the saying “everything old is new again” should be restated as “Everything New is Old again!”

This studio experiment by the duo (with 17 of their closest friends) samples and loops folk recordings from the turn of the century to create song structures, then replaces those samples with guest musicians. They mash (part Zony) funk, blues, trip-hop, soul, folk, and African music into a roots music played ...

145
Album Review

Michael Blake: Drift

Read "Drift" reviewed by AAJ Staff


Blake is an improvising saxophonist who, because of his personal interests and the label he’s on, is often mistakenly relegated to the Worldbeat sections. To be honest, this disc only grabbed me halfway through, but when it did, it grabbed hard, and has sustained repeated listening.

The title cut, “Drift,” is echoed à la old ECM, and has lots of little percussion making the mournful tune very world-weary. Kimbrough, listed as playing only piano, is on an electric model. Scherr’s ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.