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Jazz Articles about Florian Ross

35
Album Review

Florian Ross: Tunes & Explorations

Read "Tunes & Explorations" reviewed by Jack Bowers


Variety and nostalgia are the essence of Tunes & Explorations, the twenty-second album by German-born composer/arranger Florian Ross who observes his fiftieth anniversary by dipping into the Great American Songbook to revive and reshape for his splendid octet a number of luminous evergreens from the Golden Age of American music. Ross underlines the contrast via jazz compositions from Bill Evans ("Fun Ride") and Horace Silver (the closing “Sister Sadie") and his own groovy curtain-raiser, “Baking Magels." The ...

4
Album Review

Florian Ross Octet: Tunes & Explorations

Read "Tunes & Explorations" reviewed by Pierre Giroux


Florian Ross is a German-born composer, arranger and jazz pianist who has a fondness for releasing albums with double names which began with his debut release Seasons & Places (Naxos Records, 1998). He has continued with that “idée fixe" in almost every year in which he has delivered a release. This year is no exception; the latest incarnation is Tunes & Explorations, an octet session given over (with one exception) to the exploration of some well-known compositions from the Great ...

2
Album Review

Florian Ross: Architexture

Read "Architexture" reviewed by Jerome Wilson


Writing about music has been compared to dancing about architecture, in that it is a supposedly useless task. Writing music about architecture is a worthwhile proposition, though, as shown by this release from German pianist Florian Ross, composing music for his quartet and the Event Wind Ensemble which is inspired by famous architects and buildings he has encountered in his travels. This music plays like an updating of the Third Stream genre, combining classical formality and jazz fluidity. ...

5
Album Review

Florian Ross: Reason & Temptation

Read "Reason & Temptation" reviewed by Jack Bowers


Midsummer 2019 was quite a busy time for Florian Ross. Apparently, the German-born pianist recorded the quartet date Reason & Temptation from June 29-July 2, then returned the following day to the same studio in Koln and added a wind ensemble to record Architexture for another label (Naxos). Reason & Temptation was self-produced on Ross's own label, Toy Piano Records. In each case the core group consists of the pianist's working quartet—saxophonist Sebastian Gille, bassist David Helm, ...

3
Take Five With...

Take Five with Florian Ross

Read "Take Five with Florian Ross" reviewed by Florian Ross


About Florian Ross: Born in 1972, Florian studied piano and composition in jny: Cologne, jny: London and New York. Since 1998 he has released 18 albums featuring both small and large ensembles and written over 350 commissioned compositions and arrangements for large jazz ensembles. He received the prestigious Thad Jones Composition Competition Award in 2000 and the WDR Jazz Composition prize in 2006. His commissioned works include pieces for the German NDR and WDR big bands, the Netherlands ...

5
Album Review

Florian Ross Trio: Pigs & Fairies

Read "Pigs & Fairies" reviewed by Jack Bowers


As a composer, German-born pianist Florian Ross seldom strays from the musical basics: melody, harmony, rhythm. As a performer, however, he uses those same basics to fashion a broad palette of sound, coming at the listener from a variety of routes and angles cannily designed to deepen an over-all mood of singularity and anticipation. On Pigs & Fairies, his fourteenth recording since 1998 and third as leader of his trio, Ross uses every weapon at his disposal, ...

12
Album Review

Florian Ross Quintet: Lines & Crosscurrents

Read "Lines & Crosscurrents" reviewed by Jack Bowers


Although you'd be hard-pressed to pick Florian Ross' quintet out of a lineup, the German-based helmsman wrests as much color and contrast as can be envisioned from a group that includes himself on piano or synthesizer, Markus Segschneider on pedal steel guitar and Niels Klein on clarinet, bass clarinet or tenor sax. If the music on Lines & Crosscurrents veers at times toward smooth jazz, it never quite crosses that line, thanks mostly to Ross's perceptive charts and the quintet's ...


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