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Jazz Articles about Jasper Blom

5
Album Review

Teus Nobel & Liberty Group: Human First

Read "Human First" reviewed by Phillip Woolever


Highly respected Dutch trumpeter Teus Nobel has forged a distinguished, modern jazz-based discography which includes expertise ranging from small bands to orchestras, and mainstream pop to theatrical show tunes. The third project released by Nobel's Liberty Group progresses along traditional quartet-type experimentation which proves to be some of his most extraordinary work yet; it sounds like a thematic sky with no limit in imagination or proficiency. The album's tour de force is the twenty-seven minute “Human First," which ...

4
Album Review

Jasper Blom Quartet: Polyphony

Read "Polyphony" reviewed by Roger Farbey


Saxophonist Jasper Blom's double album Polyphony, released on Whirlwind, centres around two key elements. Firstly, his long- standing penchant for adding a guest soloist to his quartet, reflected in each disc having its own additional musician. On the first CD there is trumpeter Bert Joris, with whom Blom and his quartet have played for several years, whereas on the second CD, the extra player is Nils Wogram on trombone. The music on both discs was recorded live at Amsterdam's famous ...

3
Album Review

The Jasper Blom Quartet: Gravity

Read "Gravity" reviewed by John Kelman


With Gravity, Dutch saxophonist Jasper Blom concludes his Mainland Records trilogy--its cover perhaps suggesting something more danceable than the heads and hands that graced the respective covers of 2008's Statue of Liberty and 2011's Dexterity. Each recording has its own charms, but Gravity is, hands-down, the most upbeat and joyous of the three, and another superb outing for a quartet fast approaching its sixth anniversary since first recording in June 2007.Gravity gets off to a surprisingly rock-inflected start ...

302
Album Review

The Jasper Blom Quartet: Dexterity

Read "Dexterity" reviewed by John Kelman


With the impossible volume of music released each and every week, there's always that sinking feeling that something's being missed. When saxophonist Jasper Blom and his quartet delivered their showcase performance at Dutch Jazz & World Meeting 2010, it became immediately clear that this was a contemporary group well worth investigating. Blom is a part of the second generation of Dutch musicians, following the emergence of now iconic countrymen like drummer Han Bennink and pianist Misha Mengelberg in the 1960s, ...


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