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Jazz Articles about Francois Moutin

5
Album Review

Eva Slongo: Souffle

Read "Souffle" reviewed by Ian Patterson


Improvisation was once a norm for classical musicians, and not just for geniuses such as Bach, Mozart, Liszt or Paganini. That freedom has, to a very large degree, been curtailed by classical music institutions, along with composition. On Souffle, her second album following Inspirations (Unit Records, 2016), Swiss-born, Paris-based violinist Eva Slongo breaks a few metaphorical eggs in bringing the worlds of classical music and jazz together. Of the nine tracks, six are originals, with Slongo's arrangements of Fauré, Beethoven ...

10
Album Review

Arbenz X Vistel / Moutin: Conversation #4 (Vulcanized)

Read "Conversation #4 (Vulcanized)" reviewed by Mark Corroto


Prompted by the pandemic, drummer and percussionist Florian Arbenz has set out to document 12 Conversations with musicians invited into his Basel, Switzerland recording studio. Conversation #1: Condensed was a trio with Brazilian guitarist Nelson Veras and American trumpeter Hermon Mehari. Conversation #2 & #3 found Arbenz with British vibraphonist Jim Hart and Swiss bassist Jim Hart. Here we have the drummer teaming up with French bassist François Moutin and Cuban also saxophonist Maikel Vistel, who collaborates with the drummer ...

4
Album Review

Raphaël Pannier Quartet: Faune

Read "Faune" reviewed by Jerome Wilson


On his first recording as a leader, drummer Raphaël Pannier shows himself to be a musician who has one foot in the classical world and one foot in jazz. He leads his group in a set of original and classic compositions from both genres, maintaining a sense of formal grace and improvisational energy throughout. Pannier's quartet performs two familiar jazz tunes. A version of Ornette Coleman's “Lonely Woman" flows with somber intensity; Miguel Zenon's alto flies and Ben ...

9
Album Review

Raphaël Pannier Quartet: Faune

Read "Faune" reviewed by Dan Bilawsky


The debut from drummer Raphaël Pannier has no difficulty laying out references to modern modes of impressionism and the nature of wildlife implied in its title. Its opener --a ten-minute take on Ornette Coleman's “Lonely Woman" that offers slinky melody, sophisticated coloring, intense upheaval, a bass soliloquy and a return to the shadowy theme--is but the first of many indications that Pannier can paint open compositions in altered light while also awakening and taming tension. It's an artful display of ...

4
Album Review

Rudresh Mahanthappa: Hero Trio

Read "Hero Trio" reviewed by Jerome Wilson


Alto saxophonist Rudresh Mahanthappa previously espoused his love of Charlie Parker on his album Bird Calls (ACT, 2015). Here he expands on that to pay tribute to, not only Parker, but other influences such as Ornette Coleman, Johnny Cash, and Keith Jarrett. Mahanthappa leads a freewheeling trio, with Francois Moutin on bass and Rudy Royston on drums, which romps through a variety of tunes. On Stevie Wonder's “Overjoyed" his alto sings brightly while the rhythm section skips and ...

Album Review

Rudresh Mahanthappa: Hero Trio

Read "Hero Trio" reviewed by Emmanuel Di Tommaso


La sedicesima produzione discografica del sassofonista statunitense di origini indiane Rudresh Mahanthappa rappresenta un nuovo capitolo del progetto di fusione fra la musica carnatica dell'India meridionale e la musica occidentale contemporanea che ne ha caratterizzato l'intera carriera artistica fin dagli inizi negli anni Novanta, anticipando un percorso di sperimentazioni e commistioni intrapreso in anni recenti, tra gli altri, anche dal settetto dei Crosscurrents e dal collettivo dei Brooklyn Raga Massive. Hero Trio contiene nove brani che vanno ben ...

4
Album Review

Rudresh Mahanthappa: Hero Trio

Read "Hero Trio" reviewed by Mark Corroto


All great jazz musicians are omnivores, admired for their ability to ingest and synthesize large schools of music. Saxophonist Rudresh Mahanthappa is one such omnivore, maybe best described as an alpha predator. His music, whether it is advancing modern jazz or fusing the Carnatic music of southern India with his American experience, occupies the highest level of the musical food chain. Like other predacious jazzmen, he can make a meal of everything from pop songs to jazz standards. Mahanthappa's Hero ...


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