Jazz Articles

Daily articles including interviews, profiles, live reviews, film reviews and more... all carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our future articles page.

10

Live Review

Paul Simon at Flushing Meadows Corona Park

Read "Paul Simon at Flushing Meadows Corona Park" reviewed by Mike Perciaccante


Paul Simon Flushing Meadows Corona Park Homeward Bound: The Farewell Performance Flushing, NY September 22, 2018 “Hello, my friends!"--so began Paul Simon's farewell concert, held in the New York City borough where it all began. The location, Flushing Meadows Corona Park, was the site of two World's Fairs (1939 and 1964), and is, according to Simon, a twenty-minute bicycle ride from where he grew up. The two-and-a-half-hour, career-spanning concert represented a perfect ...

6

Album Review

Paul Simon: In The Blue Light

Read "In The Blue Light" reviewed by Mike Jurkovic


To this very day, as he readies the last shows of his Homeward Bound tour, Paul Simon's new is as new as his old once was. When your most maligned works, 1980's One Trick Pony (Warner Brothers), 84's dark epic Heart and Bones (Warner Brothers), and 97's errant Songs From The Capeman (Warner Brothers, 1997) yields such lasting beauty as “Late in The Evening," “Hearts and Bones," “The Late, Great Johnny Ace," “The Vampires," and “Adious Hermanos," a severe re-assessment ...

13

Album Review

Paul Simon: In The Blue Light

Read "In The Blue Light" reviewed by Nenad Georgievski


It's not unusual for artists to re-record a song or two from their past oeuvre. Actually, the history of music is replete with artists revisiting their past achievements. This goes all the way to the era of crooners, and one can see singers like Frank Sinatra or Tony Bennett offering different takes on same songs in different settings at different times. Even though this is a new era, the process of revisiting and re-creating past songs and even entire albums ...

17

Extended Analysis

Paul Simon: The Complete Albums Collection

Read "Paul Simon: The Complete Albums Collection" reviewed by John Kelman


If the history books were to be closed on singer/songwriter Paul Simon's career today, he'd have already left a legacy more than sufficient to ensure a substantial chapter. While other emergent songwriters of his day--Leonard Cohen, Bob Dylan and Randy Newman amongst them--have clearly evolved over the years, there's been an underlying approach that's remained consistent across, in many cases, half a century. That's not to dismiss or denigrate these icons of song, only to say that Simon has emerged ...

135

Album Review

Paul Simon: So Beautiful or So What

Read "So Beautiful or So What" reviewed by John Kelman


After successful run at self-producing, yielding hits like Graceland (Warner Bros., 1986) and The Rhythm of the Saints (Warner Bros., 1990), Paul Simon reunites with Phil Ramone for So Beautiful or So What, the singer/songwriter's first album since the largely overlooked Surprise (Warner Bros., 2006). Ramone last worked with the singer/songwriter on One Trick Pony (Warner Bros., 1980), but was responsible for producing many of Simon's early hits from the 1970s. After breaking out with the iconic ...

204

Album Review

Simon & Garfunkel: Live 1969

Read "Live 1969" reviewed by Chris M. Slawecki


Recorded during performances in October and November '69 for what was supposed to be the live album follow-up to Bridge Over Troubled Water (which the duo had recorded before these concerts but was not yet released on Columbia), Paul Simon and Art Garfunkel capture on Live 1969 the mood of their generation changing. That live album never came out (until now) because during those dates their mystic musical communion was disintegrating, although you'd never know that from its joyful sound.

184

Album Review

Paul Simon: Surprise

Read "Surprise" reviewed by John Kelman


Paul Simon has been exploring and adapting his songwriting to the music of other cultures since the mid- 1980s, but strip away the arrangements from this material and you still have Paul Simon the singer/songwriter. The same can be said about Surprise. Instead of the world music stylings of Graceland (Warner Bros., 1986) or You're the One (Warner Bros., 2000), Simon radically shifts gears here. Collaborating with veteran producer/sonic landscaper Brian Eno, he has produced an entirely contemporary album that ...


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