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Jazz Articles about John Escreet
Dan Rosenboom: Polarity
by Jerome Wilson
On this album, trumpeter Dan Rosenboom and his quartet engage in a free-wheeling session which comes off as a modern update of Wayne Shorter releases such as The All-Seeing Eye (Blue Note, 1966). He engages in playful genre-crossing and experimentation here which incorporate the sensibilities of hip-hop and ambient music as well as modern jazz. The album's key track is the marathon opener, The Age of Snakes" in which Rosenboom's trumpet and Gavin Templeton's alto saxophone lazily float ...
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by Pat Youngspiel
Recently, Los Angeles-based trumpeter Dan Rosenboom has been experimenting with somewhat freer and edgier realms of improvisation, giving doomy metal influences a go on Trio Subliminal 2 (Orenda Records, 2022), and indulging high-energy trio interplay with plenty of delay effects and other sonic manipulation on Refraction (Orenda Records, 2021). Not to mention the opulent The Complete Boom Sessions (Orenda Records, 2022), which captured over 400-minutes, live to tape, recorded over five gigs at one of Los Angeles' premiere hubs for ...
read moreAmir ElSaffar River of Sound Orchestra: The Other Shore
by Neri Pollastri
Secondo disco per la Rivers of Sound Orchestra, ensemble creato nel 2015 da Amir ElSaffar con il preciso intento di esplorare in modo originale le culture musicali delle sue origini. ElSaffar è infatti nato negli Stati Uniti da madre statunitense e padre di origini irachene; avvicinatosi precocemente alla musica, ha coltivato quella jazzistica dalla discoteca paterna e quella classica dalle frequentazioni della madre; musicista dalle collaborazioni di altissimo livello--tra gli altri Cecil Taylor e Vijay Iyer--solo da adulto si è ...
read moreJohn Escreet: Seismic Shift
by Mark Corroto
John Escreet's recording Seismic Shift, the pianist's first trio recording, might be the case for the return of warning labels on packaging. Not that there are explicit lyrics or violent images, it is just that the 52 minutes of music contained here are quite tempestuous and unrelenting. By design. Escreet is known for his wide-ranging interests in creative music. He has recorded in both the acoustic and electric realms, performing on instruments including the harpsichord, synthesizers, Fender Rhodes ...
read moreOlivier Le Goas & Reciprocity: Onramp Of Heaven Dreams
by Dan McClenaghan
A blindfolded spin of French drummer Olivier Le Goas & Reciprocity's Onramp Of Heaven Dreams says the spirit of guitarist Pat Metheny is hanging around. The lineupguitar, piano, bass and drumsmirrors that of Metheny's early ECM Records such as Watercolors (1977) and American Garage (1979), and the disc's title itself nods to Metheny's Offramp (ECM Records,1982). This in the year 2020, when Metheny released a career highlight, From this Place (Nonesuch Records). Olivier's sound has a clean, sharp-edged ...
read moreJohn Escreet: Learn To Live
by Friedrich Kunzmann
Take some sweet melodies from Jeff Lynn's ELO, add Keith Emerson on synth and think of an underlying rumbling towards more experimental sound collages, rooted somewhere between the electronic approach of Brian Eno and Miles Davis' early organic-fusion extravaganzas and you'll end up with... well, let's be honest, it still won't sound anything like what keyboardist / composer John Escreet has to offer on Learn to Live . While one preferably shan't judge a book by its cover, his first ...
read moreJohn Escreet: Learn To Live
by Mike Jurkovic
From the light, airy smoothness of Opening," through the nomadic, polyrhythmic, suite Broken Justice (Kalief)" (which brings to contemporary life Weather Report's axiom: Everyone solos but no-one solos") to the poppy, practically Stevie Wonder-ish Lady T's Vibe," keyboardist/composer John Escreet's fusion proves to be a many-headed, sinewy hybrid. All are brought to the forefront on Learn To Live. Employing a host of new and old keyboards, and a band of like-minded originals, trumpeter Nicholas Payton, drummers Eric Harland ...
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