John Escreet
Over the course of his career, John Escreet has earned a reputation as one of the most active and diverse pianist/composers working in jazz and improvised music. His prolific output is reflected over the course of 6 diverse and critically acclaimed albums - the most recent being Sound, Space and Structures which partners his working Trio (with John Hébert on bass and Tyshawn Sorey on drums) with the iconic free-jazz saxophonist Evan Parker.
Bursting on to the scene with his 2008 debut album Consequences, Escreet quickly earned a reputation as one of the most exciting new pianist/composers to have emerged in recent years, with Downbeat magazine proclaiming “John Escreet’s recent debut Consequences signals the jumpstart of a new voice in jazz." Similar praise followed for his 2010 sophomore release Don’t Fight The Inevitable, of which the New York Times’ Ben Ratliff said “… on an ambitious second album, the pianist John Escreet seems to be thinking about where jazz can go next. He’s using lots of structure and instrumental texture, cruising through different languages, straight-ahead and free and in between; it’s like a tour of the last 25 years of serious jazz." 2011 saw two releases - The Age We Live In, and Exception To The Rule, followed by 2013’s Sabotage and Celebration, all of which received widespread international critical acclaim. The latest addition to this impressive catalog is 2014's Sound, Space and Structures.
As well as being a leader of prolific output, Escreet is also a much sought-after sideman. He has toured extensively with Antonio Sanchez’s Migration band, recording on his 2013 Cam Jazz release New Life. He has also contributed his pianistic skills to the working bands of David Binney, Amir ElSaffar, Tyshawn Sorey, and Jamie Baum among many others.
In 2009, John was a recipient of the prestigious Chamber Music America New Jazz Works Grant, as well as the CMA/ASCAP Award for Adventurous Programming in 2011. In 2013, Escreet was commissioned by the Jazz Gallery to write a new work as part of their Residency/Commissions for 2012-2013, for which he wrote an extended work for string quartet and piano trio. 2014 saw John being awarded the Mid Atlantic Arts Foundation USArtists International grant to tour with his Quartet, and recently in 2015 he was elected an Associate of the Royal Academy of Music (ARAM), his Alma Mater - awarded to past students who have distinguished themselves in the music profession and made a significant contribution to it in their particular field.
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Interview
Album Review
- Exception To The Rule by Mark Corroto
- Sabotage and Celebration by Mark Corroto
Extended Analysis
Album Review
- Sound, Space and Structures by Glenn Astarita
- Sound, Space and Structures by Alberto Bazzurro
- The Unknown by Dan Bilawsky
- The Unknown by Budd Kopman
- Learn To Live by Mike Jurkovic
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“Pianist John Escreet's recent debut Consequences signals the jumpstart of a new voice in jazz.” —Downbeat
“John Escreet, a British jazz pianist in his mid-20s, has no problem communicating drama. "Consequences," his highly accomplished debut, opens with a half-hour composition "The Suite of Consequence" that divides almost imperceptibly into three parts. The piece at large is a whorl of high- impact quintet engagement, combustible solo digressions, calmly contemplative passages and flashes of mounting suspense. A lot happens there, and each moment carries its own sharp glint of conviction.” —The New York Times