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Jazz Articles about Carlos Jimenez

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Album Review

Carlos Jimenez: Woods

Read "Woods" reviewed by Richard J Salvucci


Carlos Jimenez is a kind of metaphor for Latin jazz, from Yonkers, New York, to Puerto Rico ("the island") and back, with instrumental and stylistic stops along the way. Jazz flute has had some storied practitioners, and Jiménez is obviously well along getting a foothold there too in this, his sixth album since 2005. Interestingly, Jiménez says Cuban percussionist Mongo Santamaría spurred his transition from brass to woodwind, which speaks volumes about the importance of polyrhythms to Latin jazz. If ...

147
Album Review

Carlos Jimenez / Mambo Dulcet: Red Tailed Hawk

Read "Red Tailed Hawk" reviewed by Dan Bilawsky


Latin jazz flute players aren't exactly commonplace, but artists like Dave Valentin, Nestor Torres, Bobby Porcelli and, more recently, Mark Weinstein have helped to widen this avenue of instrumental exploration. They've paved the way and opened up a world of possibilities for fine and feisty flautists of the present and future to flourish in danceable domains. Carlos Jimenez is one of the beneficiaries of their trailblazing. Jimenez, who was brought up in New York, moved to Puerto ...

90
Album Review

Carlos Jimenez & Mambo Dulcet: Red Tailed Hawk

Read "Red Tailed Hawk" reviewed by Edward Blanco


Lively danceable Latin music comes alive on flautist Carlos Jimenez and his Mambo Dulcet band's Red Tailed Hawk, presenting six originals and four covers on a landscape of hot Afro-Cuban rhythms. Jimenez and his group navigate through the high flying winds of the genre, incorporating elements of salsa and jazz in a decidedly shoulder-moving session of Latin beats. Like fellow jazz man Mark Weinstein, Jimenez has become a flautist of note and a new exponent of the genre. With this ...

146
Album Review

Carlos Jimenez: Arriving

Read "Arriving" reviewed by Stephen Latessa


There is no doubt that for a large part of the movie-watching population, jazz flute will instantly call to mind Will Ferrell's heroically unhinged performance on said instrument in a scene from Anchorman: The Legend of Ron Burgundy. That Ferrell is now synonymous with jazz flute in some quarters says something, although I'm not exactly sure what. Regardless, Carlos Jimenez approaches the flute on Arriving in a traditional manner, without a sense of irony.

The great danger of ...


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