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Jazz Articles about Nasheet Waits

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Album Review

Michelle Lordi: Two Moons

Read "Two Moons" reviewed by Geno Thackara


The art of the jazz diva does not shy away from the dark and mysterious. From putting a spell on somebody to helplessly falling under that old black magic, the tradition always seems to include some small touch of witchery, and Michelle Lordi, for her part, does not let a modern-day sound obscure those roots. The mood of Two Moons sits somewhere between a late-night set in a small jazz club and a round of spooky stories around the campfire. ...

1
Radio & Podcasts

Nasheet Waits, Ethan Iverson, Kenny Burrell & Jay McShann

Read "Nasheet Waits, Ethan Iverson, Kenny Burrell & Jay McShann" reviewed by Joe Dimino


From a modern star in the jazz world, we begin the 840th Episode of Neon Jazz with Nasheet Waits and the tune Snake Hip Waltz from his impressive catalog of music. From there, we hear his father Freddie Waits teamed with Kenny Barron. We also get tasty new music from the likes of David Gibson, Ethan Iverson, Bennett Paster and Neal Caine. In between, we hear classics from Jay McShann, Tadd Dameron and Art Taylor. We bring it all to ...

Album Review

Jason Moran: From the Dancehall to the Battlefield

Read "From the Dancehall to the Battlefield" reviewed by Neri Pollastri


Uscito il primo gennaio 2023 su Bandcamp, questo album di Jason Moran, per il suo concept, per la varietà e la ricchezza, per il modo in cui fonde radici storiche e modernità è probabilmente da considerare il disco dell'anno. Il suggestivo titolo From the Dancehall to the Battlefield sintetizza la storia del mitico musicista a cui è dedicato: James Reese Europe, compositore, arrangiatore e direttore d'orchestra nero, nato a Mobile, in Alabama, nel 1881, e trasferitosi prima a ...

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Album Review

Gregory Lewis: Organ Monk Going Home

Read "Organ Monk Going Home" reviewed by Jack Bowers


Imagine Thelonious Monk playing not piano but organ. Not easy to visualize, but that is the concept Gregory Lewis wishes to present on Organ Monk Going Home, the “home" in this instance exemplifying not a physical space where one goes to rest and refresh the soul but a metaphorical creation of the mind whose images are wide and dimensions unlimited. Lewis has spent much of his career reshaping Monk's unorthodox pianistic ideas for the organ, a pursuit ...

2
Album Review

Jeff Parker / Eric Revis / Nasheet Waits: Eastside Romp

Read "Eastside Romp" reviewed by John Sharpe


Though best known as an experimental guitarist in the likes of Tortoise, Isotope 217 and the Chicago Underground Trio, on Eastside Romp Jeff Parker hews closer to his jazz roots in a co-operative trio completed by bassist Eric Revis and drummer Nasheet Waits. Each a leader, Parker's bandmates possess similarly expansive resumés, making their somewhat introspective group focus here a surprise. On a program of five originals from across the band, one cover and one improv, they combine in the ...

3
Liner Notes

Organ Monk: Uwo In the Black

Read "Organ Monk: Uwo In the Black" reviewed by Howard Mandel


Organ Monk is the inspired--some might say “mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' style on that inimitable instrument is “all stops out"--because he's more than mastered the complex multi-manual and foot-pedaled contraption. He's become an exciting innovator ...

10
Album Review

Christian McBride: Prime

Read "Prime" reviewed by Cary Tenenbaum


Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds. It is a brave opening to New Jawn's second release because it is not the easiest way to attract the casual jazz listener. ...


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