Daily articles including interviews, profiles, live reviews, film reviews and more... all carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our future articles page.
by Jerome Wilson
The electric music Miles Davis recorded from 1969 and into the 1970s was a game-changing event in jazz, a steamy, mysterious, ever-evolving soup of improvisation, rock, funk and electronics that launched numerous careers and inspired subsequent generations of musicians across genres. Its influence shows in the numbers of players who have since studied, dissected and interpreted this material in their own ways. Alto saxophonist Charles Pillow has adapted Davis' work for a full-scale big band but with mixed results.read more
by Jack Bowers
So how does trumpeter Miles Davis' post-1969 electric period" translate to a big-band format? About as well as could be expected, thanks to leader Charles Pillow's bright arrangements for his New York-based Large Ensemble. Davis' seminal Columbia albums from 1969-1972--In a Silent Way, Bitches Brew, Live at Fillmore East, Live-Evil, On the Corner--are considered by many to have ushered in the jazz / rock / fusion era, which could be a good thing or otherwise, depending on one's point of ...read more
by Mark Corroto
You thought not, but you can put the genie back in the bottle. What we're talking about is the specter unleashed by Miles Davis with Bitches Brew (Columbia, 1970). Davis' expanded lineup for BB with ten-plus musicians, including the electric pianos of Joe Zawinul, Chick Corea, and Larry Young, Bennie Maupin playing bass clarinet, a young guitarist John McLaughlin, two bassists, percussion, and more percussion, and oh yeah, Wayne Shorter's saxophone was ever present. Charles Pillow did that with his ...read more