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Jazz Articles about Scott Wendholt

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Album Review

Brian Eisenberg Jazz Orchestra: Pain & Beauty

Read "Pain & Beauty" reviewed by Edward Blanco


A religious man at heart, composer/band leader and producer Brian Eisenberg leads an 18-piece big band (The Brian Eisenberg Jazz Orchestra) on a personal musical exploration on the meaning of love through the perspective of what may be beautiful, and what may seem hurtful on the very introspective and challenging Pain & Beauty. The album, as he writes, “is dedicated to that ideal of genuine love...painful yet, beautiful love." Eisenberg sets the musical bar quite high on such lofty and ...

1
Album Review

Michael Davis - Hip-Bone Big Band: Open City

Read "Open City" reviewed by Jerome Wilson


Michael Davis is an accomplished trombonist who has had a long career of live and studio work accompanying a varied roster of big-name jazz and rock talents such as The Rolling Stones, Bob Dylan, Bob Mintzer, Buddy Rich, Paul Simon, and Sarah Vaughan. He is also an established solo artist and composer who leads an imposing large ensemble, the Hip-Bone Big Band. The big band's second album is an exuberant affair which reflects the joy of getting back ...

Album Review

Michael Leonhart Orchestra: The Normyn Suites

Read "The Normyn Suites" reviewed by Angelo Leonardi


Gli eclettici sviluppi orchestrali di Michael Leonhart, tra maestosi affreschi evocativi e trascinanti momenti rock e soul, tornano a entusiasmarci con questo magistrale The Normyn Suites, dove la poetica della leggerezza convive con scelte di vivo impatto ritmico e timbrico. Le due forti propensioni musicale dell'autore sono ben bilanciate: quella impressionista (che ha caratterizzato opere ammalianti come Lovers di Nels Cline e il suo The Painted Lady Suite) e quella legata alla popular music, maturata nelle collaborazioni con Steely Dan, ...

76
Album Review

Peter DiCarlo: Onward

Read "Onward" reviewed by Friedrich Kunzmann


On his debut record, New York-based alto saxophonist Peter DiCarlo establishes himself as a serious straight-ahead composer who skillfully combines an elegant alto tone with intricate reed and horn arrangements that are propelled forward by a swinging rhythm section. Dominated by a majority of self-penned hard and post-bop scores, Onward—in accordance with its title—pushes last century's idioms into this one, exploring new and exciting territory that neither defies tradition, nor resists its modern environment. Swing is affirmed in ...

7
Album Review

Peter DiCarlo: Onward

Read "Onward" reviewed by Jack Bowers


New York City-based alto saxophonist Peter DiCarlo makes a lot of winning moves on his debut album, Onward, and a couple that seem more puzzling than perceptive. More about them later. First, it should be noted that DiCarlo is a virtuosic player with a burnished sound and enough improvisational ammunition in his arsenal to guide him safely through any encounter, no matter how unforeseen or perilous. He is also a splendid writer whose five original compositions here serve to enhance ...

7
Album Review

John Fedchock NY Sextet: Into The Shadows

Read "Into The Shadows" reviewed by Jack Bowers


If a sextet--or a group of any size--is to be measured by the sum of its parts, trombonist John Fedchock's NY Sextet succeeds with flying colors, as it embodies half a dozen of the finest jazz musicians the New York City area has to offer. As we know, however, an inclusive appraisal rests on far more than that, else the musicians could simply set their instruments onstage and await the applause. Yes, musical talent surely provides an ...

5
Album Review

John Fedchock NY Sextet: Into The Shadows

Read "Into The Shadows" reviewed by Dan Bilawsky


Trombonist John Fedchock's fluid slide work, celebrated composing chops and arranger's ingenuity have been put to good use in settings both large and very small in recent years, with a big band set and two live quartet records dropping between 2015 and the present. But rather than choose one of those ensemble formats over the other this time around, he looks to a middle ground with his NY Sextet. Painting with a three-horn frontline and rhythm section, ...


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